blank'/>

Astrophotography banner

Showing posts with label Canon Astrophotography. Show all posts
Showing posts with label Canon Astrophotography. Show all posts

Sunday, April 14, 2024

A Celestial Surprise: Capturing Comet SOHO-5008 During the Solar Eclipse of April 8, 2024

On the memorable day of April 8, 2024, as the moon's shadow enveloped parts of the Earth in a brief midday twilight, a remarkable celestial event was captured by astronomers and photography enthusiasts alike. Among these observers was myself, fortunate enough to photograph a rare and fleeting moment during the total solar eclipse—a moment that would immortalize the doomed comet SOHO-5008.

Comet was not visible by naked eyes, but when I checked one of my HDR images with exposure 2 second, I found that doomed comet SOHO- 5008 is visible on the photo! 

Total solar eclipse of April 8, 2024 from Westport, New York showing the Sun’s corona and faint comet SOHO-5008 near the eclipsed Sun — long-exposure HDR astrophotography with Canon EOS Ra.
Total Solar Eclipse April 8 2024 and doomed comet SOHO-5008

Canon Ra, Canon EF200mm f/2.8L II USM Lens + Canon 2x III Extender = 400mm, F/8, ISO 200, 4sec - Westport, New York.

Read articles on livescience or spaceweather about this comet.

The comet, named "SOHO-5008", was discovered earlier that day by the vigilant eyes of amateur astronomer Worachate Boonplod. He spotted it in the images captured by the Solar and Heliospheric Observatory (SOHO) coronagraph, marking the beginning of an unexpected celestial narrative. News of the discovery spread quickly, and astronomer Karl Battams of the Naval Research Lab highlighted the potential for ground-based observations during the eclipse. "Ground-based observations of sungrazing comets are extremely rare, so this would be a great opportunity to see an eclipse comet!" Battams had remarked, setting the stage for a once-in-a-lifetime observation.

The capture of comet SOHO-5008 during the solar eclipse is a poignant reminder of the ephemeral nature of our universe. Just as the eclipse brought darkness to the day, it also brought to light a comet on its final voyage. This celestial coincidence underscores the value of staying present and prepared—for in the world of astronomy, as in life, some of the most fascinating moments are those that are unplanned and fleeting.

Annotated astronomical image of the April 8, 2024 solar eclipse identifying the position of comet SOHO-5008 and background stars using Astrometry.net analysis.
Astronomical Image Annotation from Astrometry.net


The photograph of the disintegrating comet, set against the backdrop of the solar eclipse, will forever serve as a personal memento of a singular moment when the universe unveiled its wonders. It stands as a call to all who gaze upon it to look up and marvel at the vast, beautiful cosmos—a universe teeming with surprises, waiting to be discovered.

Related Astrophotography Posts

Sunday, March 26, 2017

Northern Lights in Kiruna Lapland, Sweden — Aurora Borealis Astrophotography

The sight filled the northern sky; the immensity of it was scarcely conceivable. 
As if from Heaven itself, great curtains of delicate light hung and trembled. 
Pale green and rose-pink, and as transparent as the most fragile fabric, 
and at the bottom edge a profound fiery crimson like the fires of Hell, 
they swung and shimmered loosely with more grace than the most skillful dancer.

-- PHILIP PULLMAN, The Golden Compass

In March 2017, I traveled to Kiruna, Lapland, Sweden to photograph one of the most dramatic sky phenomena on Earth — the Aurora Borealis.

At the time, some astronomers predicted a decline in solar activity, raising questions about how a solar minimum might affect aurora visibility. Would weaker solar activity mean fewer Northern Lights? No one could say with certainty.

Today we know that prediction underestimated the strength of the current solar cycle. But standing under the Arctic sky in 2017, the question felt very real.

What Creates the Northern Lights?

Auroras form when charged particles from the Sun — carried by the solar wind — collide with Earth’s magnetosphere. Guided by magnetic field lines toward the polar regions, these particles interact with oxygen and nitrogen atoms in the upper atmosphere.

  • Green light (most common) — oxygen at ~100–150 km altitude
  • Red light — oxygen above ~200 km
  • Purple and pink hues — nitrogen interactions

The result is a dynamic curtain of light dancing across the polar sky — a direct visible consequence of solar activity.

Unlike deep-sky astrophotography, aurora photography requires speed and adaptability. The structure changes from minute to minute. Exposure settings must balance movement, brightness, and star visibility.


Green aurora borealis with bright red upper glow over Kiruna Lapland Sweden under Arctic night sky
Sweden Astrophotography  Northern Lights

Aurora Borealis over snowy landscape in Kiruna Lapland with scattered Arctic clouds in the night sky
Sweden Astrophotography Aurora Borealis

Northern Lights above Kiruna Lapland landscape with Arctic horizon
Kiruna Lappland Northern Lights - Sweden Astrophotography
Cross ski trail sign under Northern Lights in Kiruna Lapland Sweden
Cross Ski Trail Sign and Northern Lights - Kiruma Lappland Astrophotography

Camera Setup

  • Camera: Canon 60Da
  • Lens: Canon EF 16-35mm f/2.8L II USM
  • Location: Kiruna, Swedish Lapland
  • Tripod: Stable Arctic ground setup
Panoramic view of Aurora Borealis over Kiruna Lapland Sweden
Panorama Northern Lights - Sweden Astrophotography Kiruna Lapland

Panorama Technical Notes

This panoramic image was captured using the following settings:

  • Camera: Canon EOS 60Da
  • Lens: Canon EF 16-35mm f/2.8L II USM
  • Focal Length: 16mm
  • Exposure: 20 seconds
  • Aperture: f/5.0
  • ISO: 5000

Unlike typical aurora photography where a wider aperture (f/2.8) is preferred, I chose f/5.0 to improve overall depth of field. In Arctic landscapes, balancing foreground sharpness with sky detail can be challenging, especially when nearby snow and terrain are part of the composition.

The aurora was bright enough to allow a smaller aperture without losing structure in the curtains of light.

An ISO of 5000 is relatively high and does introduce some noise. However, for a panoramic image viewed on a standard screen, the noise level is not distracting. The benefit was shorter exposure time and better capture of the dynamic aurora motion.

Based on field experience with the Canon 60Da and a 16mm lens on a fixed tripod, I know that exposures up to about 30 seconds can still keep stars reasonably sharp. However, to preserve both point-like stars and fine aurora structure, I limited the exposure to 20 seconds. This duration balances star sharpness with the dynamic motion of the light curtains.

Aurora photography often requires compromise — sharp foreground, moving sky, limited light, and extreme cold all influence exposure decisions.

Northern Lights as a Sky Phenomenon

Aurora photography sits at the intersection of astrophotography and atmospheric physics. It is not simply “night photography” — it is the visible interaction between the Sun and Earth’s magnetic shield.

Even during periods of lower solar activity, auroras do not disappear. While intensity and frequency vary across the solar cycle, geomagnetic storms and coronal mass ejections can still produce spectacular displays.

Under the Arctic sky, watching green curtains ripple above snow-covered landscapes, it becomes clear: the Northern Lights are not just a celestial spectacle — they are space weather made visible.

In the far north, beneath the polar sky, astrophotography becomes space physics in motion.


Related Astrophotography & Sky Phenomena Posts

These posts explore how solar activity and celestial light interact with Earth’s atmosphere — from auroras and airglow to eclipse phenomena and extreme dark skies.

Monday, October 24, 2016

iOptron Skytracker and Deep Sky Astrophotography

“By looking far out into space 
we are also looking far back into time, 
back toward the horizon of the universe, 
back toward the epoch of the Big Bang.” 

― Carl Sagan, Cosmos


The deep sky astrophotography can be done without telescope. You just need iOptron Skytracker. There are some photos which were done using iOptron Skytracker. Some of these photos done even in New York city with very high level of light pollution.

iOptron SkyTracker Canon 60Da Deep Sky Astrophotography Orion Nebula M42  New York City
 Canon 60Da, Canon  EF 200mm f/2.8 L II USM Telephoto Lens;  f/2.8; ISO 320; Exposure 15sec x 204 - Total 51 min, Brooklyn NY


iOptron Skytracker Deep Sky Astrophotography without Telescope - Horsehead and Flame Nebulae - New York City
Canon 60Da with Canon EF 200mm f/2.8 L II USM Telephoto Lens and iOptron SkyTracker tripod.Exposure 10sec x 148 - about 25 min total. ISO-800, f/3.2

iOptron Skytracker Deep Sky Astrophotography Pleiades M45 Seven Sisters Melotte 22 with Canon EF 200mm Telephoto Lens
Canon 60Da, iOptron skytracker, EF200mm f/2.8L II USM, f/4.0; ISO 6400, Deep Sky Stacker 30 images x 20 sec, Upstate New York


Deep Sky Astrophotography iOptron Skytracker  Andromeda Galaxy Messier 31 Canon EF 200mm Telescopic Lens

Andromeda Galaxy Messier 31 Deep Sky Astrophotography iOptron Skytracker

Canon 60Da, Canon EF 200mm f/2.8 L II USM lens, iOptron SkyTracker trypod, ISO-6400, f/4, stacked in DeepSkyStacker 215 images x 19 sec, Upstate NY

iOptron Skytracker Deep Sky Astrophotography Northern America and Pelican Nebula

Canon 60Da, EF200mm f/2.8L II USM, f/4.0; ISO 6400, Deep Sky Stacker 29 images x 20 sec, New York upstate

iOptron Skytracker Deep Sky Astrophotography Milky Way and  Orion at Culebra Island

Canon 60Da, Wide Angle EF 16-35mm f/2.8L II USM lens, F/4.0, ISO 3200, 2 min, Culebra Island, Puerto Rico

Monday, October 17, 2016

Different types of the Milky Way Night Landscape - Stair Sail and Arch

Let me introduce a new (and completely humorous!) classification of the Milky Way. No, I am not serious — there is only one Milky Way galaxy — but give me a chance! Just look at the collage below: three very different shapes of the galactic core captured in a single night.

I call them the Stair, the Sail, and the Arch Milky Way. All three photos were taken in the same location — Park Avenue, Arches National Park — during the same night. Only small changes in viewpoint and composition, yet the Milky Way looks completely different!

This is part of my light-hearted series Astronomical Jokes, where I play with perspective and imagination. People love to classify everything they see, and sometimes those classifications become fun in themselves.

As the astronomer Olin Eggen playfully said:
“Classification is a tool for understanding — and occasionally for amusement.”
And the statistician George Box famously reminded us:
“All models are wrong, but some are useful.”
My “Milky Way types” are definitely wrong — but they are useful for a smile.

Collage of humorous Milky Way classifications — Stair, Sail, and Arch — photographed at Park Avenue, Arches National Park.
Different types of the Milky Way Night Landscape Astrophotography - Stair Sail and Arch

This collage shows how dramatically the Milky Way’s appearance changes depending on camera angle, foreground, and the rising position of the galactic core. Even though the galaxy is constant, our perspective makes it look like different “types.”

I hope this light-hearted classification brings a smile — and perhaps inspires you to try your own creative Milky Way “types” on the next clear night!

Related Astrophotography Posts

Friday, November 6, 2015

Green Sky Utah Airglow Astrophotography Canon 60Da

The sky is green, the night is dark - as simple as possible. This photo was done at Bryce Canyon, Utah. Canon 60Da, EF16-35mm f/2.8L II USM, 30.0 sec; f/3.5; ISO 6400

Green Sky Utah Airglow Astrophotography Canon 60Da
The natural moonless night sky is dark but not black; it is not even blue (no scattering light from sun and moon). Earth atmosphere  emits green, red, orange, yellow light- Airglow!

About 60% of the natural brightness of the night sky at zenith is made up of Airglow. Maximum brightest usually appears at about 10-15 degrees above the horizon, because of the greater the depth of atmosphere at this angle. Airglow is not always uniform. Gravity waves may create considerable variation of Airglow brightness.

You can see Airglow only in real dark sky, but naked eye could not recognize colors. Photos with long exposure able get the colors of Airglow.

The usually dominant color of airglow is green originated from molecular oxygen at 90 to 100 km high. Orange and reddish hue caused by atomic oxygen in 150-300 km above the ground, Yellow light comes from sodium atoms in a layer at about 90 km.

Thursday, July 10, 2014

Canon 60Da Milky Way Astrophotography Catskill Mountains Upstate NY New York

Two simple, minimalistic Milky Way images from my first nights testing the Canon 60Da in the Catskills.
Even single exposures showed a huge improvement over my old Canon 40D.

During my early tests with the Canon EOS 60Da in the Catskill Mountains, I captured two very simple single-frame Milky Way images. Both were taken with the Canon EF 16–35mm f/2.8L II USM using only a fixed tripod. Even without stacking, the 60Da immediately revealed more detail and sensitivity than my older Canon 40D.

These photos became some of my favorite early 60Da shots—minimalistic, quiet, and very natural-looking. Sometimes a single exposure tells the story better than a complex stacked image.

“Now I know where the Milky Way comes from.”


Canon 60Da Milky Way astrophotography in the Catskill Mountains with rooftop foreground, minimalistic wide-angle night sky image.
Canon 60Da Milky Way Astrophotography Catskill mountains

This first image became unintentionally philosophical. In the lower part of the frame you can see the roof of the bungalow where we stayed in the Catskills. Just above it, the Milky Way rises perfectly—almost as if it starts right from the roof. A small tree is visible on the bottom-right, and the entire scene is extremely minimalistic.

Camera settings were: 9 sec, f/2.8, ISO 12800 using the Canon 60Da and an ultra-wide 16–35mm lens.

A Tree Under the Milky Way


Canon 60Da Milky Way astrophotography in Upstate New York with tree silhouette and bright Milky Way core in minimalistic wide-angle composition.
Canon 60Da Milky Way Astrophotography Upstate NY New York

The second image shows a large tree in silhouette with the Milky Way rising directly above it. Another very simple and minimalistic frame. It beautifully demonstrates how much more detail the Canon 60Da can capture compared to the older Canon 40D—more stars, better color, and higher contrast in the Milky Way core.

This exposure was slightly longer: 15 sec, Canon EOS 60Da, Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Lens, F2.8, ISO 12800.

These two early Canon 60Da images became part of two small “visual stories” in my astrophotography. The first story is about the question “Where does the Milky Way come from?” — in the Catskills it seems to rise straight from the roof of our bungalow, and later in Yellowstone it appears to rise from the Old Faithful geyser. Two completely different landscapes, but the same cosmic river flowing upward.

The second story is about trees and stars. The tree in this Catskills image became the first part of a theme I continued years later in Bethel, New York — capturing another tree under the Milky Way and reflecting on the idea that we have more trees on Earth than stars in our galaxy. A simple comparison, but very beautiful in astrophotography.

Related Astrophotography Posts

Monday, April 28, 2014

Mystic Seaport Connecticut - Astrophotography Landscape Tourism



I like to get my camera and tripod to my vacation, find dark place and make photo of night sky.  I don’t know exactly how to call it hobby – probably astrophotography night landscape tourism. These are photos from Mystic Seaport, Connecticut. 

Mystic Seaport Astrophotography - Night tree - Canon 40D, Canon EF 16-35mm f/2.8L II USM

Mystic Seaport - night view
Night Sky Mystic Seaport Astrophotography
Astrophotography Night Landscape Mystic Seaport Connecticut
Astrophotography Landscape Mystic Seaport Connecticut
Starry Night Mystic Seaport Astronomy

Seaport Mystic Bridge at night
Mystic seaport nightscape Connecticute - Canon EF 16-35mm f/2.8L II USM

Astrophotography Nightscape Connecticut Mystic Seaport