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Showing posts with label NYC astronomy. Show all posts
Showing posts with label NYC astronomy. Show all posts

Sunday, June 15, 2014

Canon 60Da Astrophotography - Brooklyn NYC

This was my first experience using the Canon 60Da after many years with the Canon 40D. The 60Da immediately showed how much easier it is to capture faint stars, even from Brooklyn.

The Canon EOS 60Da was my first dedicated astrophotography camera after years of shooting the night sky with the Canon 40D. Even under the heavy light pollution of Brooklyn, New York, the 60Da revealed stars that were almost impossible to capture with the older camera.

The letter “a” in Canon 60Da stands for “astronomy”. This version of the 60D includes a special modified IR-cut filter that allows about three times more H-alpha sensitivity than a standard DSLR. This improved red sensitivity makes nebulae and faint emission regions much easier to record. The 60Da also provides cleaner high-ISO performance and live-view focusing that is especially useful for astrophotography.

Below is my very first image taken with the 60Da: a mix of night sky and rose flowers from my backyard, with Saturn and the Libra, Scorpius, and Ophiuchus constellations faintly visible above.

Canon 60Da first astrophotography image Brooklyn NYC roses Saturn Libra Scorpius Ophiuchus night sky
Sky and roses Canon 60Da Astrophotography Brooklyn NYC

The second image shows the 60Da camera itself with the night-sky photo displayed on the rear LCD — proof of how well the modified sensor captured faint stars even in a bright city environment.

Canon 60Da camera astrophotography LCD screen showing night sky photo Brooklyn NYC
Canon 60Da Astrophotography – LCD Display with Night Sky Photo

The third image was taken during the day, showing the 60Da on a tripod. The EOS 60Da label is clearly visible — a reminder of when I first started testing this specialized camera.

Canon EOS 60Da astrophotography camera on tripod daytime photo
Canon 60Da - Astrophotography Camera

Related Astrophotography Posts

Thursday, June 12, 2014

Jupiter Moons and Red Spot - Astrophotography - Celestron 4SE

How does Jupiter hold up his trousers?
With an asteroid belt.

--Astronomy Jokes

Jupiter is one of the most exciting objects to observe in the solar system. Even a small telescope reveals its bright cloud belts, the famous Great Red Spot, and the four large Galilean moons — Io, Europa, Ganymede, and Callisto. Watching these moons change position from night to night (and sometimes hour to hour) is one of the highlights of amateur astronomy.

This photo was taken with my Celestron NexStar 4SE Maksutov telescope from Brooklyn, NYC. For bright planets like Jupiter, Mars, Venus, or Saturn, light pollution is not a problem at all. These planets are extremely bright, and the telescope’s tiny field of view blocks almost all city glow. Light pollution mainly affects faint stars and the Milky Way, but not planets — they remain sharp and clear even in a heavily light-polluted city like New York.

Capturing both Jupiter’s atmospheric details and all four moons in a single frame is not easy. The planet needs a very short exposure to reveal the belts and the Great Red Spot, while the moons require a much brighter setting. For the final image, I combined two photos — one optimized for Jupiter itself and another for the moons. I checked the ephemeris for that night so I could label each moon correctly. The positions of Jupiter’s moons can be easily found using online tools — for example, the Sky & Telescope Jupiter’s Moons calculator.

The Image


Jupiter with the Great Red Spot and Galilean moons captured through a Celestron 4SE telescope from Brooklyn NYC – astrophotography image
Jupiter Moons and Red Spot Astrophotography Celestron 4SE - Brooklyn NYC

What You Can See in the Image

  • Jupiter’s two main cloud belts
  • The Great Red Spot on the disk
  • All four Galilean moons correctly positioned for that night
  • Labeled moons based on calculated ephemeris

For a compact 4-inch telescope, this is a very satisfying result. The combination of sharp planetary details and the full set of moons gives a realistic view of the dynamic Jupiter system.

Gear & Technique

  • Telescope: Celestron NexStar 4SE Maksutov
  • Mount: GoTo Alt-Az
  • Method: Two-photo composite — short exposure for Jupiter, brighter exposure for moons
  • Main challenge: Huge difference in brightness between planet and moons

This image shows what a small telescope can do even in the middle of a major city. Planets are bright enough to cut through light pollution, and their details are visible whenever the atmosphere is steady.

Related Astrophotography Posts

Wednesday, April 9, 2014

NYC Lunar Eclipse April 15, 2014

How does the man-in-the-moon cut his hair?
(Eclipse it!) 

NYC Total lunar eclipse will be on April 15, 2014

NYC Lunar Eclipse December 21, 2010


Penumbral eclipse begins:  Apr 15 at 12:55 AM
Partial eclipse begins:         Apr 15 at  1:59 AM
Total Eclipse begins:          Apr 15 at  3:08 AM
Maximum Eclipse:             Apr 15 at  3:46 AM
Total Eclipse ends:             Apr 15 at  4:23 AM
Partial Eclipse ends:           Apr 15 at  5:32 AM
Moonset:                            Apr 15 at  6:21 AM
Penumbral Eclipse ends:    Apr 15 at  6:36 AM



 

The weather forecast is not good for NYC at this time. But may be it will change, I hope.

Sunday, January 26, 2014

Astrophotography Equipment DSLR Webcam Collage

This astrophotography collage shows a small collection of images representing different types of astronomical photography: solar and lunar eclipses, planetary imaging, deep sky objects, the Milky Way, aurora borealis, and astrophotography equipment.

The collage also illustrates some of the equipment used for capturing these images, including a Celestron NexStar 4SE telescope, Canon EOS DSLR cameras, astronomy webcams, and large astronomical binoculars. Different astronomical targets require different techniques — from long-exposure DSLR photography for wide-field night landscapes to high-frame-rate webcam imaging for planets like Saturn, Jupiter, and Mars.

Over the years I have experimented with multiple astrophotography methods: planetary imaging using RegiStax stacking, solar imaging with a Coronado SolarMax telescope, wide-field Milky Way photography, and eclipse photography. This collage represents some of those early experiments and observations.

Astrophotography collage showing Saturn, Jupiter, Mars, solar eclipse, aurora borealis, Milky Way and amateur telescope equipment
Astrophotography Equipment DSLR Webcam Collage – Planetary, Solar and Night Sky Astrophotography


Most of these images were captured from New York City or nearby locations, demonstrating that interesting astrophotography is possible even under light-polluted skies. Other images were taken from darker locations such as national parks and remote observing sites.


Astrophotography Posts Featured in This Collage

This collage shows how different branches of astrophotography — planetary, solar, deep-sky, night landscape, and atmospheric phenomena — can all be captured with relatively modest amateur equipment. From photographing the rings of Saturn and the cloud belts of Jupiter to capturing the Milky Way over dark landscapes, astrophotography allows us to explore the universe from our own planet.

Friday, January 24, 2014

Urban Astrophotography

These photographs demonstrate the challenges and possibilities of urban astrophotography under extreme light pollution in New York City. All images were taken from Brooklyn, where night skies are heavily affected by artificial lighting and fall into the Bortle Scale Class 9 (inner-city sky).

In the first image, photographed from my backyard at night, you can see a simple foreground of polls and a wire silhouetted against the sky. Above them are the Orion constellation and the Pleiades star cluster. The bright, washed-out background clearly shows the impact of severe light pollution, which reduces contrast and limits the number of visible stars.

Urban astrophotography from a Brooklyn backyard showing Orion constellation and the Pleiades star cluster under strong NYC light pollution.
Urban Astrophotography - NYC astronomy - Orion Constellation

The second image shows the Lyra constellation. Here, the urban foreground was minimized, allowing the stars themselves to stand out more clearly. I added constellation annotations in Photoshop to help identify the star pattern — a useful technique when imaging from bright city environments.

Lyra constellation photographed from Brooklyn, NYC, with annotated stars added in Photoshop to highlight the constellation pattern.
Urban Astrophotography NYC - Lyra Constellation

In the third image, the Cassiopeia constellation is visible, again with annotations added for clarity. Even under heavy light pollution, some prominent constellations can still be captured from Brooklyn, though only the brightest stars are detectable.

Cassiopeia constellation captured from Brooklyn with constellation lines and labels added to identify the W-shaped pattern in an urban sky.
Cassiopeia constellation - Urban Astronomy-  Brooklyn Astrophotography

The final image is a panoramic night view of Manhattan photographed from Brooklyn Bridge Park. Both the Brooklyn Bridge (closer) and the Manhattan Bridge are visible, along with the illuminated Financial District and its reflections on the water.

Although a few bright points appear in the sky in this last image, they are not stars. Under Bortle Class 9 conditions, no recognizable constellations are visible above Manhattan. Most of these bright points are likely airplanes moving through the night sky rather than astronomical objects.

Manhattan skyline panorama at night photographed from Brooklyn Bridge Park, showing Brooklyn Bridge and Manhattan Bridge with reflections on the water
Brooklyn astronomy - Manhattan panorama at night

This post illustrates how urban astrophotography requires adjusted expectations — focusing on bright constellations, wide-field compositions, and creative framing — while also highlighting the dramatic contrast between natural night skies and the artificial glow of a major city.

Urban vs. Dark Sky: In heavily light-polluted cities like New York (Bortle Class 9), only first-magnitude stars are visible to the naked eye, while deep-sky objects are largely washed out by skyglow. In contrast, truly dark locations (Bortle Class 1–2), such as remote deserts or dark-sky parks, reveal a celestial masterpiece: thousands of stars, the full structure of the Milky Way, and faint nebulae and galaxies that are completely invisible from urban environments. The difference highlights how dramatically artificial lighting alters our human connection to the cosmos.

Related Posts

Friday, January 17, 2014

Saturday, January 4, 2014

Sky, Clouds, Sunsets and Sunrises from Airplane – Travel Moments of an Astrophotographer

Many of my astrophotography projects take place around the world. Traveling to dark sky locations often requires long flights across continents and oceans. During these flights I frequently photograph the sky, clouds, and sunrise or sunset from the airplane window.

These moments are interesting for an astrophotographer because they reveal the atmosphere from above: layers of clouds, the horizon of Earth, and intense twilight colors created by sunlight scattering in the upper atmosphere. In a sense, the journey to a dark sky location begins long before the telescope is set up — sometimes already at 35,000 feet above the Earth.


Sky and clouds photographed from airplane window above the atmosphere
Sky and Clouds from Airplane

Sunset seen from airplane over New York and the Atlantic coast
Sunset from airplane over New York – atmospheric sky photography

Sunset over the East Coast of the United States photographed from airplane
Sunset - East Coast of the United States from airplane, Astrophotography

Sunrise over Europe photographed from airplane above the clouds
Photos from Airplane - Europe sunrise

Cloud formations photographed from airplane at high altitude
Clouds from airplane

Earth sunrise and horizon photographed from airplane window
View from airplane – Earth sunrise above the horizon


Many of the destinations for these flights later became locations for my night sky photography. After landing and reaching dark sky areas, the same Sun that creates these colorful sunsets eventually disappears below the horizon, revealing the stars, constellations, and the Milky Way that are the main subjects of astrophotography.

Photography from an airplane offers a unique perspective on Earth's atmosphere and the interaction between sunlight, clouds, and the horizon. For an astrophotographer, these flights are not only part of the journey, but also part of the sky experience itself.

Related Astrophotography & Sky Phenomena Posts

Astrophotography Around the World

These flights have taken me to some of the best dark sky locations on Earth including the Atacama Desert in Chile, the Galápagos Islands, Yellowstone National Park, Cherry Springs State Park, and Tanzania in East Africa.

Many of my astrophotography projects take place in different parts of the world. Flights like the ones shown above are often the beginning of a journey to dark sky locations where the Milky Way, constellations, and other night sky phenomena can be photographed.

Thursday, December 5, 2013

Brooklyn Sunset NYC

In March 2013, I went out to Brooklyn hoping to photograph Comet PANSTARRS (C/2011 L4). Urban skies and timing were not on my side, and the comet never became visible from my location. Instead, the evening delivered something else — a dramatic sunset over New York City.

These images capture the transition from daylight to night as seen from Brooklyn, New York City, with the Verrazzano-Narrows Bridge silhouetted against vivid clouds and fading twilight. Even when astrophotography plans fail, the sky often offers a different reward.


Brooklyn sunset over New York City with colorful clouds during twilight
Brooklyn Sunset, Astronomy and Astrophotography,  Canon EF 16-35mm f/2.8L II USM
NYC sunset from Brooklyn with the Verrazzano-Narrows Bridge on the horizon
NYC Sunset (as seen in Brooklyn), Verrazano Bridge, Canon EF 16-35mm f/2.8L II USM, Astronomy and Astrophotography
Twilight sky over Brooklyn NYC with fading sunset light
Sunset as seen in Brooklyn (NYC), Verrazano Bridge, Astronomy and Astrophotography,  Canon EF 16-35mm f/2.8L II USM

Gear: Canon EOS DSLR + Canon EF 16–35mm f/2.8L II USM
Location: Brooklyn, New York City
Date: March 2013

Related NYC & Urban Astrophotography

Note: A few years later, from the same Brooklyn location, conditions were much better and I was finally able to photograph a comet. See Comet C/2023 A3 (Tsuchinshan–ATLAS) visible in NYC .

Tuesday, November 26, 2013

NYC Solar Eclipse

Location: New York City (JFK Airport area)
Date: November 3, 2013

While waiting for the highly anticipated appearance of Comet ISON in late 2013, I took the opportunity to document a partial solar eclipse visible from New York City. Capturing a solar eclipse from an urban environment like NYC is always challenging due to weather, haze, and city infrastructure—but even a partial eclipse at sunrise offers a unique and atmospheric view.

These images were taken during sunrise near JFK Airport, where the low Sun and eclipse geometry created dramatic silhouettes and warm tones. In one of the related photo sets, flocks of birds (mostly seagulls) are visible flying across the partially eclipsed Sun—an unexpected and fascinating detail that adds life and scale to the scene.

Partial solar eclipse over New York City with many seagulls flying across the Sun
NYC Solar Eclipse November 3 2013

Solar eclipse at sunrise near JFK Airport in New York City
NYC Solar Eclipse JFK Airport Sunrise November 3 2013

Partial solar eclipse photographed from New York City
NYC Solar Eclipse

In these additional images, numerous birds—mostly seagulls—can be seen crossing the Sun during the partial eclipse. This rare combination of urban wildlife and celestial mechanics makes the NYC solar eclipse especially memorable.

Related Solar Eclipse Photos from New York

Thursday, October 31, 2013

Coronado SolarMax II 60 NexImage5

Sun 2013-10-26
Coronado SolarMax II 60,
NexImage 5 ccd,
Nexstar 4SE mount,
Two Barlows 2x each (Total x4),
Registax, Photoshop
Two Colors


NexImage 5, Coronado SolarMax II 60, Nexstar 4SE

Tuesday, October 29, 2013

NexImage 5 Coronado SolarMax II 60

Sun – October 26, 2013

This session was captured using a Coronado SolarMax II 60 hydrogen-alpha solar telescope paired with a NexImage 5 CCD planetary camera on a Celestron NexStar 4SE computerized mount.

Equipment:
Coronado SolarMax II 60 (H-alpha)
NexImage 5 CCD camera
Celestron NexStar 4SE mount
2× Barlow lens
Processing: RegiStax stacking + Photoshop false color

H-alpha Sun captured with Coronado SolarMax II 60 and NexImage 5 CCD
Coronado SolarMax II 60 NexImage 5

The NexImage 5 CCD camera records high-frame-rate video, allowing multiple frames to be stacked in RegiStax. Stacking improves signal-to-noise ratio and enhances fine chromospheric detail, including filaments, plages, and active regions.

After stacking, the image was processed in Photoshop and converted to false color to emphasize structure and contrast. Although H-alpha light is monochromatic, false coloring helps visually separate surface detail and prominence structures.

Coronado SolarMax II 60 with NexImage 5 mounted on Celestron NexStar 4SE
Telescope Coronado SolarMax II 60, Celestron NexStar 4SE Computerized Mount and NexImage5

This configuration combines the precision tracking of the NexStar 4SE GoTo mount with the high-frame-rate capabilities of a CCD planetary camera. When properly processed, the final image quality depends primarily on the optical performance of the Coronado SolarMax II 60.

Related Astrophotography Posts

Monday, October 28, 2013

Solar prominences - Coronado SolarMax II 60 Canon 40D

Solar prominences captured with the Coronado SolarMax II 60 using a Canon 40D DSLR on a Celestron NexStar 4SE computerized mount.

Equipment:
Coronado SolarMax II 60 (H-alpha solar telescope)
Celestron NexStar 4SE mount
Canon EOS 40D
2× Barlow lens
Date: October 20, 2013

Exposure details:
ISO 200 · 1/6 second


Solar prominences captured with Coronado SolarMax II 60 and Canon 40D
Solar prominences - Coronado SolarMax II 60 Canon 40D

This image shows solar prominences only. The inner disk of the Sun is intentionally blocked (black area) so the exposure can be optimized for the faint outer prominences extending beyond the solar limb.

Compared to my earlier images taken with a NexImage planetary camera, this session used a DSLR mainly to compare imaging approaches rather than image quality itself. CCD planetary cameras and DSLR cameras each have their own advantages and limitations.

Planetary CCD cameras allow very fast frame rates and are less sensitive to mount stability, but require more time-consuming video stacking and post-processing. DSLR cameras capture single high-resolution frames, which makes post-processing much simpler, but they require a more stable mount and precise tracking.

When both imaging methods are used correctly, the final image quality depends primarily on the optical performance of the Coronado SolarMax II 60, not on the camera itself.


To simplify the setup, I switched from a piggy-back configuration to a direct mounting solution by using the Coronado Dovetail Mounting Plate for PST and SolarMax (Item #MEAD414-1).

Coronado dovetail mounting plate for SolarMax II 60 telescope
Coronado Dovetail Mounting Plate for PST and SolarMax Item# MEAD414-1 and Coronado SolarMax II 60 

With this mounting plate, the Coronado SolarMax II 60 can be attached directly to the GoTo mount, greatly simplifying alignment and tracking.

Coronado SolarMax II 60 mounted directly on Computerized Mount
Coronado SolarMax II 60 and Celestron 4SE Computerized Mount

This configuration made it possible to use even a heavier camera like the Canon 40D while maintaining accurate solar tracking.

In later posts, I show additional solar images captured with this setup and further refinements to the mounting and imaging process.


Related Posts – Coronado SolarMax II 60

Coronado SolarMax II 60 during the 2017 Total Solar Eclipse:

Tuesday, August 20, 2013

Coronado SolarMax II 60 NexImage Registax Panoramic

Creating a full-disk solar panorama is not always straightforward when using a dedicated solar telescope and a CCD camera. With the Coronado SolarMax II 60 and NexImage CCD, the apparent solar disk can be too large to fit into a single frame at native resolution.

Instead of reducing magnification or sacrificing detail, I decided to apply a classical astrophotography solution: build a panoramic mosaic of the Sun.

The idea is simple in principle but requires careful planning in practice:

  • Record multiple overlapping solar segments (in this case – three videos).
  • Keep identical exposure, gain, and duration settings for each capture.
  • Process all videos using the same stacking parameters in RegiStax.
  • Export uniformly sharpened frames.
  • Merge them using Photoshop → File → Automate → Photomerge.

Consistency is critical. If video duration, histogram levels, or wavelet sharpening differ between segments, the final mosaic will show visible seams. Proper overlap between frames is also essential to allow accurate alignment of solar features such as filaments and prominences.

This workflow is very similar to techniques used in:

  • Nightscape panoramas (for example, multi-frame Milky Way images)
  • Large-field “Rainbow Milky Way” mosaics
  • Deep-sky mosaics when a single frame cannot capture the entire object

Solar mosaics require the same discipline — but with an additional challenge: the Sun evolves quickly. Prominences and surface detail can subtly change during capture, so recording segments efficiently is important.

The final result below demonstrates how three stacked segments were combined into a seamless panoramic solar image.


Solar panoramic mosaic created from three stacked videos using Coronado SolarMax II 60 and NexImage CCD
Coronado SolarMax II 60 NexImage, Registax, Final Panoramic 3 images, Astrophotography


This example shows that even with a compact solar setup, it is possible to produce high-resolution full-disk results by applying classical astrophotography mosaic techniques.


Related Astrophotography Posts

Monday, June 17, 2013

Coronado SolarMax II 60 Telescope

This post shows my first view of the Coronado SolarMax II 60 — a dedicated hydrogen-alpha solar telescope designed exclusively for safe daytime observation of the Sun. Here I focus only on the telescope itself, mounting options, and initial setup. Actual solar images and results are shown in separate posts.

Unlike regular telescopes that require external solar filters, the Coronado SolarMax II 60 includes a built-in H-alpha filter system. This allows direct observation of the Sun’s chromosphere, revealing prominences, filaments, and active regions when paired with a stable mount and camera.

For solar observation, a good mount is critical. The Sun moves quickly across the sky, and accurate tracking makes observation and imaging much easier. For my initial setup, I used a simple piggy-back configuration on a Celestron NexStar 4SE mount. This allowed me to take advantage of the GoTo system for easy solar tracking.

Coronado SolarMax II 60 H-alpha solar telescope first view
Coronado SolarMax II 60


Coronado SolarMax II 60 solar telescope tube assembly
Coronado SolarMax II 60

Below is the piggy-back configuration using a Celestron NexStar 4SE. This simple setup allowed me to quickly align and track the Sun using the GoTo mount. Later, this configuration was further modified and improved — those changes are described in follow-up posts.

Piggy-back Coronado SolarMax II 60 mounted on Celestron NexStar 4SE
Celestron 4SE and piggyback Coronado Solarmax 60

Front view of Coronado SolarMax II 60 solar telescope mounted piggy-back
Coronado Solarmax 60 piggy-back

Front aperture detail of Coronado SolarMax II 60 H-alpha telescope
Celestron 4SE, Solarmax 60
Side view of Coronado SolarMax II 60 solar telescope on piggy-back mount
Piggy-back Coronado 60 Celestron 4SE
Rear view of Coronado SolarMax II 60 telescope focuser and mounting hardware
Piggy-Back Mount for Celestron NexStar 4 (Item# BRKTPIG4)

This first setup proved that even a simple piggy-back mount can work well for solar observation. In later posts, I show the actual solar images captured with this setup, as well as further mount refinements.

Related Posts – Coronado SolarMax II 60

Wednesday, August 1, 2012

Celestron Stereo Binocular Viewer # 93691

I recently received the Celestron Stereo Binocular Viewer #93691, and these photos show it mounted on my Celestron 4SE telescope.

Using a binoviewer noticeably changes the visual observing experience. Viewing with both eyes feels more natural and relaxed, and the image appears more immersive — almost like a subtle 3-D or IMAX-style view, especially when observing the Moon and bright planets.

One of the biggest advantages is how comfortable it makes observing. Eye strain is reduced, it is easier to stay focused, and sharing the telescope becomes more enjoyable. This is especially helpful for kids and beginners, who often find it easier to look through a binoviewer than a traditional single eyepiece.

Overall, the Celestron Stereo Binocular Viewer 93691 is a fun and practical upgrade for visual observing. It adds comfort, improves the viewing experience, and makes outreach sessions more engaging.

Celestron 4SE telescope with Celestron Stereo Binocular Viewer 93691 installed
Celestron 4SE and Binoviewer
Celestron Stereo Binocular Viewer 93691 mounted on Celestron 4SE telescope
Celestron Stereo Binocular Viewer  93691 and 4SE
 Celestron 4SE telescope configured with Celestron Stereo Binocular Viewer 93691
Celestron 4SE and Celestron Stereo Binocular Viewer  93691

Conclusion:
After spending time with this setup, the binoviewer has become one of my favorite visual accessories. It may not replace traditional eyepieces for every situation, but for relaxed observing and sharing the sky with family and friends, it adds a sense of depth and enjoyment that makes the telescope feel new again.

Related Astrophotography & Gear Posts

Thursday, April 12, 2012

Mars Map – Identifying Surface Features with Celestron NexStar 4SE

I would like to die on Mars. Just not on impact.
— Elon Musk


Annotated Mars image showing surface features captured with Celestron NexStar 4SE
Annotated Mars image – surface regions identified using map comparison


After capturing Mars with the Celestron NexStar 4SE (102mm) (see the previous post for acquisition and processing details), the next challenge was identifying which Martian surface regions were actually visible in the final image.

Because Mars appears small even near opposition, identifying real surface features requires careful comparison with simulation software and professional Mars reference maps.

Step 1 – Confirming Planet Orientation

To verify the exact rotational phase of Mars at the moment of imaging (April 2, 2012 – 9:47 PM), I used TheSkyX First Light Edition to generate a simulation for that date and time.

Mars simulation using TheSkyX at time of observation
Mars simulation confirming orientation at time of observation

This confirmed the planet’s rotation phase and allowed correct alignment between the processed image and global Mars maps.

Step 2 – Comparing with Mars Reference Maps

Next, I compared the processed image with classical Mars albedo maps and Google Mars imagery to identify large-scale surface regions.


Google Mars global surface map used for comparison with backyard Mars image
Google Mars reference imagery

I also used a classical Mars albedo map from planetologia.elte.hu as an additional reference for identifying named regions.



By carefully comparing brightness patterns between my image and these maps, I was able to identify several Terra and Planitia regions visible in the 102mm Celestron NexStar 4SE image.

Surface Regions Visible

Even with a 102mm aperture telescope, several major Martian regions can be recognized by their brightness contrast:

  • Planum Boreum – bright northern polar cap
  • Acidalia Planitia – dark northern plains
  • Arabia Terra – brighter highland region
  • Tempe Terra – brighter northern highland area
  • Xanthe Terra – brighter equatorial region
  • Noachis Terra – brighter southern highlands
  • Terra Meridiani – darker region near Mars’ prime meridian
  • Valles Marineris (location) – visible as a darker albedo band adjacent to the brighter Xanthe Terra region; the canyon structure itself is not resolved

While the canyon system of Valles Marineris cannot be resolved in structural detail with a 4-inch telescope, its position can be inferred from the darker albedo band located adjacent to the brighter Xanthe Terra region.

Meaning of the Names

Many Martian surface regions carry Latin names assigned by early astronomers and later formalized by the International Astronomical Union (IAU). These names often describe visual appearance or reference classical geography.

  • Planum Boreum – “Northern Plain” (polar region)
  • Acidalia Planitia – named after the mythological Fountain of Acidalia
  • Arabia Terra – “Land of Arabia”
  • Tempe Terra – “Land of Tempe,” named after the Vale of Tempe in ancient Greece
  • Xanthe Terra – “Golden-yellow land”
  • Noachis Terra – “Land of Noah” (ancient southern highlands)
  • Terra Meridiani – “Meridian Land,” near Mars’ prime meridian
  • Valles Marineris – “Valleys of Mariner,” named after the Mariner spacecraft

These classical names reflect how early telescopic observers interpreted light and dark patterns long before spacecraft provided high-resolution imagery.

Early telescopic observers such as Giovanni Schiaparelli and Percival Lowell relied entirely on these albedo contrasts to sketch maps of Mars — long before spacecraft provided high-resolution imagery. Interestingly, I later visited Lowell Observatory, where Mars observations played a central role in early planetary astronomy. Seeing those historic telescopes adds perspective to how much careful visual interpretation mattered in pre-spacecraft astronomy.

About Magnification and Resize

During capture I used a 2× Barlow for optical magnification. Later, RegiStax v6.1 “Resize 200%” was applied to enlarge the stacked result. The resize does not create new detail, but it makes subtle brightness variations easier to evaluate and greatly simplifies visual comparison with Mars maps.

Identifying Martian surface features at this scale requires careful study of light and dark regions — almost like solving a planetary puzzle.

This experiment demonstrates that even a modest and affordable telescope like the Celestron NexStar 4SE can reveal real Martian geography when atmospheric seeing cooperates and processing is done carefully.

Related Posts – Astrophotography • Solar System • Celestron NexStar 4SE

Thursday, April 5, 2012

Mars Through Telescope – Celestron NexStar 4SE (100% vs 200% Processing)

This comparison shows the final stacked result of Mars captured with the Celestron NexStar 4SE and NexImage camera, presented at two different scales:

  • Left: RegiStax result at 100% (original stacked resolution)
  • Right: RegiStax “Resize 200%” result

Mars through Celestron NexStar 4SE comparison between 100 percent and 200 percent RegiStax resize
Mars through telescope Celestron NexStar 4SE - comparison normal and zoom images


What Does 200% Resize Mean?

In RegiStax v6.1, the “Resize 200%” option enlarges the stacked image using interpolation. This does not create new detail, but it spreads existing pixel information over a larger area.

This enlargement can make subtle brightness variations easier to sharpen with wavelets and easier to inspect visually.


RegiStax Resize vs Photoshop Zoom

At first glance, the 200% result appears slightly clearer. However, this improvement is subtle. The resize does not increase true optical resolution; it simply makes fine variations easier to process and evaluate.

If the image were enlarged later in Photoshop using standard scaling, the visual result would be very similar. The advantage of resizing inside RegiStax is that sharpening and wavelet processing can be applied at the larger scale.


Conclusion

For small targets such as Mars — especially when using a 102mm telescope — resizing can help present detail more clearly, but it does not substitute for real optical resolution or good atmospheric seeing.

Ultimately, the telescope aperture and atmospheric stability define the true limit of detail. The resize simply makes that detail easier to interpret.

Related Posts – Astrophotography • Solar System • Celestron NexStar 4SE

Wednesday, April 4, 2012

Mars – Celestron NexStar 4SE Backyard Astrophotography

On April 2, 2012, I attempted to capture detailed surface features of Mars from my backyard using a compact Celestron NexStar 4SE (102mm) telescope.

Unlike the Moon or the Sun — which appear large and forgiving — Mars is a much smaller and more demanding target. Even during favorable oppositions, it presents only a tiny disk. This made it a real challenge for a 4-inch Schmidt–Cassegrain.

Mars photographed with Celestron NexStar 4SE 102mm telescope and NexImage camera
Mars Celestron NexStar 4SE (102mm) NexImage, 2-x Barlow 

Equipment

  • Telescope: Celestron NexStar 4SE (102mm aperture)
  • Camera: Celestron NexImage
  • Barlow: 2×
  • Mount: Alt-Az GoTo tracking

Image Capture

Video duration: 4 minutes (240 seconds)
Frame rate: 10 frames per second
Total frames captured: 2400

Capturing video instead of a single frame allows atmospheric turbulence to be minimized by stacking only the sharpest frames.


Processing Workflow

RegiStax v6.1:

  • Drizzle optimization
  • Wavelets (default initial Layer 1)
  • RGB alignment (RGB shift)
  • Resize image 200%

Photoshop:

After stacking in RegiStax, subtle details were present but not clearly visible. To enhance them carefully:

  • Slightly reduced brightness to allow stronger sharpening
  • Applied Unsharp Mask to enhance fine details
  • Reduced artifacts using Median Noise (radius 3)
  • Minor color adjustment (slight magenta correction)

Aggressive sharpening can easily introduce artificial structures, so careful balance was necessary — especially with a small 4-inch telescope.


Observational Notes

April 2, 2012 — 9:47 PM

The Moon and Sun are large targets and well suited for the NexStar 4SE. Saturn and Jupiter also show satisfying detail. Mars, however, is significantly smaller and requires much steadier seeing and careful handling of scale. That is why I used a 2× Barlow for optical magnification during capture, and later applied RegiStax v6.1 “Resize 200%” to make the processed image easier to sharpen and evaluate. The software resize does not create new detail, but it helps present subtle features more clearly and makes visual comparison with Mars reference maps much easier.

This image demonstrates that even with a modest and affordable telescope, it is possible to resolve real Martian albedo features when conditions cooperate.

In the next post, I compare this image to simulation software and professional Mars maps to identify the visible surface regions.

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