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Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Thursday, August 20, 2026

Meteor over the Milky Way – Swain, New York

Meteor streak over the Milky Way photographed near Swain, New York on August 15, 2026
Cropped view showing a faint meteor crossing the Milky Way during a 308.6-second exposure near Swain, New York on August 15, 2026.

On the night of August 15, 2026, near Swain, New York, I was photographing the Milky Way with my Canon EOS Ra. During one long exposure, my wife and I saw a meteor cross the sky. It was not especially bright, but later I found what appears to be the same meteor recorded in the photograph.

I have watched Perseid meteors before, and even visually this one did not particularly look like a bright, typical Perseid to me. My first impression was that it could be a sporadic meteor. However, August 15 is still within the active period of the Perseid meteor shower, so I wanted to investigate whether it could have been a Perseid — and, perhaps even more importantly today, whether the streak could instead have been a satellite.

Meteor, Perseid or Satellite?

The meteor moved approximately from the upper-left toward the lower-right in the photograph. This is generally the correct direction for an object moving away from the Perseid radiant, which was located toward Perseus on the northeastern side of the sky.

The full photograph contains enough recognizable stars to check the orientation of the camera. The Milky Way crosses the frame, the Summer Triangle is prominent, and Beta Cassiopeiae (Caph) can also be identified toward the left side of the Milky Way.

When the meteor trail is extended backward across the sky, however, it does not line up perfectly with the expected Perseid radiant for August 15. Because this is a wide-angle photograph and the radiant is well outside the frame, simply extending a straight line on the image is only an approximation. Nevertheless, the difference is large enough that I would not confidently identify this meteor as a Perseid.

For now, my preferred interpretation is therefore simple: it is most likely a meteor, and probably a sporadic meteor rather than a Perseid.

Wide-angle view of the Milky Way and Summer Triangle with a faint meteor near Swain, New York
Full-frame 16 mm view showing the Milky Way, Summer Triangle and a faint meteor near Swain, New York on August 15, 2026. Canon EOS Ra, 308.6 seconds, f/2.8, ISO 1600.

Could It Be a Satellite?

With a five-minute exposure, a satellite has to be considered. A satellite normally produces a long straight trail, and a satellite that slowly flares and fades can sometimes look surprisingly similar to a meteor in a single photograph.

I checked available catalogued satellite trajectories for the location and corrected exposure time. There were satellites in this general region of the sky, but I did not find a convincing illuminated satellite that followed the photographed trail at the correct time and in the correct direction. One geometrically interesting satellite candidate was already inside Earth's shadow and therefore should not have been visible by reflected sunlight.

This does not provide absolute proof — very faint satellites and some orbital debris can always make identification difficult — but together with the fact that two of us actually watched the meteor at the time of the exposure, a meteor is by far the more natural explanation.

Photography Settings

Camera: Canon EOS Ra
Lens: Canon EF 16–35mm f/2.8L II USM
Focal length: 16 mm
Aperture: f/2.8
ISO: 1600
Exposure: 308.6 seconds
Date: August 15, 2026
Location: Near Swain, New York

Finding the Exact Time

For checking satellites, the exact exposure time is important. I had photographed my computer clock during the same session and later discovered that the camera clock was approximately 8 minutes 1 second fast.

The meteor image has a camera timestamp of 11:39:19 PM. I also tested my Canon EOS Ra afterward and confirmed that the time stored with a photograph corresponds to the beginning of the exposure, not the end.

After correcting the camera clock, this exposure therefore began at approximately 11:31:18 PM EDT and continued for about 5 minutes 9 seconds, ending near 11:36:27 PM.

I later synchronized the Canon EOS Ra clock with my computer using Canon EOS Utility. This is a very useful setting for astrophotography, especially for meteors, eclipses, satellite identification, or any observation where the exact time matters. It is also important to check the camera's Daylight Saving Time setting; for New York in summer the DST setting should be enabled.

Meteor Photography in the Age of Satellites

There is also something a little frustrating about photographing meteors today. Twenty years ago, when a short unexpected streak appeared in an astrophotograph, a meteor was often the obvious first possibility. Satellites existed, of course, but there were far fewer of them crossing every part of the night sky.

Today the situation is very different. A long exposure can contain one or several satellite trails, and even a short fading streak has to be investigated before calling it a meteor. Sometimes it feels as if photographing a meteor is no longer only about being lucky enough to catch one — afterward you also have to prove that it was not a satellite.

In this case, fortunately, there was something the camera metadata and satellite catalog could not provide: my wife and I were standing under the sky and actually saw the meteor ourselves.

Dark Sky, Airglow and Dew

The area near Swain, in western New York near the Finger Lakes region, has a very good dark sky for New York State. According to the Light Pollution Map, this location is approximately between Bortle Classes 3 and 4. One of my own simple indicators of a genuinely dark sky is visible airglow. Under a dark enough sky, especially in long-exposure photographs, the background is often not black at all but can show green or sometimes reddish emission from Earth's upper atmosphere. The noticeable green airglow close to the zenith in this photograph was another indication of how dark and transparent the sky was that night.

There is also one practical challenge when photographing at night in this area: dew can become very strong. During a long astrophotography session the front lens element can gradually fog, even when the sky looks perfectly clear. An anti-dew heater around the lens is highly recommended for long exposures and overnight photography here.

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Wednesday, April 17, 2024

The Solar Eclipse of April 8, 2024: An HDR Revelation of the Sun's Corona from Westport, New York

The creation of High Dynamic Range (HDR) images of the solar corona is a fascinating challenge, driven by the need to capture the vast dynamic range of brightness that defines these celestial phenomena. This endeavor marries the artistic with the scientific, uncovering details and structures of the corona that a single exposure could never reveal.

 

Total solar eclipse of April 8, 2024 captured from Westport, New York — HDR composite revealing detailed structure of the Sun’s corona using Canon EOS Ra and 400 mm lens.
The Solar Eclipse of April 8, 2024: An HDR Revelation of the Sun's Corona from Westport, New York

This particular HDR image of the solar corona was meticulously crafted from a series of exposures captured during the total solar eclipse on April 8, 2024. My setup for totality included a Canon Ra camera, a Canon EF200mm f/2.8L II USM Lens paired with a Canon 2x III Extender for an effective focal length of 400mm, set at F/8, ISO 200. The camera was mounted on an iOptron SkyTracker, and I utilized a laptop with the SET'n'C (Solar Eclipse Timer and Controller) for precise camera control. The range of exposure times spanned from 1/1000 to 4 seconds, encompassing 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2, 1, 2, and 4 seconds.

During the eclipse, I successfully captured four complete series of photos at these shutter speeds, all in CR3 format. I then processed these files in a Raw editor, adjusting texture, clarity, and denoise settings before saving them as 16-bit TIFF files.

In Photoshop, I centered the photo by loading the images into layers (File > Scripts > Load Files into Stack...) and utilized the “difference” blending mode for layers, manually centering each image using the arrow keys. An average shift calculation from image to image helped address the challenge of centering overexposed images, which could not be simply aligned based on the moon alone.

To create a mean image, I converted the selected layers into a Smart Object and applied the Mean stack mode (Layer > Smart Objects > Stack Mode > Mean), then flattened the image and saved it as mean.tif. For the moon to be at the center of the image, I cropped it accordingly.

I applied a Radial Blur in Photoshop (Filter > Blur > Radial Blur) with the settings: Spin as the Blur Method, Best for Quality, and an Amount of 10, ensuring the moon was centered in the image. This blurred image was saved as blur.tif.

To subtract the blurred image from the original, I used the Apply Image command (Image > Apply Image), setting the source to blur.tif, with the blending mode set to Subtract and an offset of 128. I then compressed the dynamic range using the Levels tool (Image > Adjustments > Levels) and saved the file as subtract.tif.

High-pass filtered solar corona created by subtracting radial blur from the original eclipse exposure — revealing fine coronal streamers and magnetic structure.
Clarity Unveiled: High Pass Filtering by Subtracting Radial Blur from the Original

To multiply the mean image with the subtracted image, I once again used the Apply Image command, setting the blending mode to Multiply. The final image was saved as done.tif.

Final touches were made using Topaz Denoise, the Raw Filter editor, and other Photoshop tools to enhance the image.

Final HDR image of the total solar eclipse showing intricate coronal loops, streamers, and the silhouetted Moon — composite from multiple exposures with Canon EOS Ra.
Totality HRD Image v.2

The final HDR composition is not merely a visual feast but a technical triumph that reveals the complexity and elegance of the sun's atmosphere. These images are invaluable, providing insights into solar physics and the forces that shape the corona. They also offer a breathtaking visual experience that conveys the awe-inspiring beauty of solar eclipses to a global audience. Through this HDR image, the profound beauty of a transient celestial moment is captured, enriching our appreciation and understanding of the cosmos's wonders and presenting the solar corona in a captivating new light.

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Sunday, April 14, 2024

The Solar Eclipse April 8, 2024 during totality, seen from Westport, New York

Composite image of the total solar eclipse on April 8, 2024 from Westport, New York — detailed HDR view of the solar corona created from multiple exposures using Canon EOS Ra and 400 mm lens.
Solar corona images of Total Solar Eclipse April 8, 2024 over Westport, New York


This composite image captures the ethereal beauty of the total solar eclipse on April 8, 2024, through a series of meticulously planned exposures. The photos were taken using a Canon Ra camera, renowned for its astro-imaging capabilities, paired with an EF200mm f/2.8L II USM lens and a 2x III extender, enhancing the camera’s ability to capture the fine details of the solar corona. To accommodate the wide dynamic range of the corona's light, nine different shutter speeds were utilized: 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, and 1/4 seconds, all at ISO 200.

Mounted on an iOptron SkyTracker, the setup ensured that each exposure was free from the blur that could be caused by the Earth’s rotation, providing a clear and steady view of the eclipse as it progressed. The use of a SET'n'C (Solar Eclipse Timer and Controller) allowed for precise control over the timing and execution of each exposure, crucial for capturing the fleeting moments of the eclipse with accuracy.

The final composite showcases the solar corona in unprecedented detail, from the bright light surrounding the sun to the outermost wisps of plasma stretching into space. The range of exposures reveals the corona’s complexity and the subtle nuances of its structure, creating a stunning visual representation of this awe-inspiring celestial event. This image stands as a vivid reminder of the eclipse’s grandeur, preserving the moment with clarity and detail that convey the majesty of the cosmos.

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Saturday, April 13, 2024

Baily's Beads - Total Solar Eclipse April 8, 2024

 

Baily's Beads occur just before and just after totality of a solar eclipse. As the moon moves to cover the sun completely, the rugged lunar topography allows beads of sunlight to shine through in some places and not in others. These beads of light appear to flicker around the moon's edges and are named after Francis Baily, who provided an explanation of the phenomenon in 1836.

This is beginning of Total Solar Eclipse visible from Westport, New York April 8, 2024.

Baily’s Beads sequence captured during the April 8, 2024 total solar eclipse from Westport, New York — photographed with Canon Ra, EF200mm f/2.8L II USM lens, 2x III Extender, and iOptron SkyTracker using SET'n'C Solar Eclipse Timer and Controller.
Baily's beards image sequence

Image sequence of Baily's beads (diamond ring) at the second contact was captured with Canon Ra with an EF200mm f/2.8L II USM lens and a 2x III extender.  Camera was mounted on an iOptron SkyTracker and orchestrated by SET'n'C (Solar Eclipse Timer and Controller). The six exposures were all short at 1/1000, ISO 200 with camera drive set on continuous at 1 frame per second. 

The beauty of Baily's Beads lies in their rarity. Solar eclipses themselves are rare events at any given location, and the Baily's Beads effect is visible for only a few seconds during the partial phases of an eclipse.

The Baily's Beads effect is a powerful reminder of the celestial mechanics at play. It highlights the perfect alignment of the Earth, Moon, and Sun, and showcases the irregular, rugged terrain of the Moon—factors that are both scientifically fascinating and visually captivating. The sequence of images not only serves as a document of a specific astronomical event but also as an artistic representation of the dynamic, ever-changing nature of our universe.

In essence, a sequence image of Baily's Beads captivates by blending the precision of astronomy with the wonder of natural beauty. It freezes a moment of cosmic ballet, offering a glimpse into the sublime, ephemeral interplay of light and shadow, celestial bodies, and the laws of physics—a dance that, despite its brief appearance, leaves a lasting impression of the awe-inspiring universe we inhabit.

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Friday, April 12, 2024

Total Solar Eclipse - April 8, 2024 | Westport, New York


Totality of the April 8 2024 solar eclipse captured from Westport, New York — detailed HDR view of the Sun’s corona photographed by astroval using Canon EOS Ra, EF200 mm f/2.8L II USM lens with 2× III Extender and iOptron SkyTracker.
Total Solar Eclipse - April 8, 2024 -Westport, New York

On April 8, 2024, a celestial event of spectacular proportions graced the skies: a total solar eclipse. For those of us in Westport, New York, the day held an air of anticipation, excitement, and a touch of the ethereal, as we prepared to witness day turn into night under the eclipse's path of totality.

Westport, nestled along the scenic shores of Lake Champlain, became a buzzing hub for eclipse chasers, all eager for a front-row seat to nature's grand spectacle.

Westport Golf, known for its lush fairways and stunning views, offered a picturesque setting for eclipse viewing. The expansive greens provided a clear, unobstructed view of the sky, making it an ideal location for observation. As the eclipse approached, the course was transformed into a field of curiosity and excitement, dotted with telescopes, cameras, and spectators donning their eclipse glasses.

The darkness of totality was profound yet fleeting, lasting approximately 2 minutes and 40 seconds. During this brief interlude, the surroundings were bathed in a twilight glow, a surreal moment that felt out of place yet deeply moving. The visibility of stars and planets in the midday sky, particularly Venus’s bright appearance, added a stellar touch to the spectacle.

My set up for Totality: Canon Ra, Canon EF200mm f/2.8L II USM Lens + Canon 2x III Extender = 400mm, F/8, ISO 200. The precision with which these images were captured was further ensured by the use of an iOptron SkyTracker mount, which tracked the sun's movement across the sky, eliminating potential blurring from the Earth's rotation. Moreover, the integration of the SET'n'C (Solar Eclipse Timer and Controller) provided an automated approach to timing and exposure adjustments, critical for dealing with the rapidly changing light conditions during the eclipse.

Beginning of totality,  diamond ring - single photo with fast shutter speed of 1/1000 sec. Amidst the rarefied beauty of celestial events, the Diamond Ring effect stands out as a fleeting, yet unforgettable moment. It heralds the beginning and conclusion of totality during a solar eclipse, a spectacle where the moon and the sun perform a celestial dance across the sky. 



Diamond Ring effect at second contact during the April 8 2024 total solar eclipse — bright bead of sunlight marking the start of totality, photographed from Westport, New York.
Diamond Ring Contact 2 of Total Solar Eclipse April 8 2024 as seen from Westport, New York

Solar Corona - single photo with fast shutter speed of 1/16 sec. The image stands as a stunning testament to the celestial dance between light and darkness, showcasing the corona's delicate filaments and radiant glow against the backdrop of space.


Totality of the April 8 2024 solar eclipse captured from Westport, New York — natural unprocessed image showing the Sun’s corona as seen with Canon EOS Ra, EF200 mm f/2.8L II USM lens and 2× III Extender on iOptron SkyTracker.
Solar Corona of Total Solar Eclipse April 8, 2024 - Westport, New York

Solar Flares - single photo with fast shutter speed of 1/1000 sec. The conjunction of the eclipse with these solar eruptions offers a glimpse into the sun's dynamic power, highlighting the beauty and intensity of our star's active nature.

Close-up of the solar corona during totality on April 8 2024, revealing delicate streamers and magnetic structure around the eclipsed Sun.
Solar Flares - Total Solar Eclipse April 8, 2024 - Westport New York


End of totality, diamond ring - single photo with fast shutter speed of 1/1000 sec.

Diamond Ring effect as totality ends (third contact) during the April 8 2024 total solar eclipse, Westport New York — the final bead of sunlight emerges from behind the Moon.
Diamond Ring Contact 3 (Post-totality) of Total Solar Eclipse April 8, 2024 as seen from Westport, New York


First photo in the post - average mean of 40 photos with different exposure time from 1/1000 to 1/2 seconds.

As the eclipse passed and daylight returned, the sense of communal experience lingered. Gathered on the golf course, we shared in the wonder and ephemeral beauty of the cosmos, a reminder of the universe’s grandeur and our place within it. The total solar eclipse of April 8, 2024, observed from the Westport Golf in New York, was not just a celestial event; it was a profound communal experience, an opportunity to connect with the cosmos and with each other in a moment of fleeting darkness and enduring wonder.

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Sunday, July 19, 2020

Comet C/2020 F3 (NEOWISE) Canon Ra Bethel, New York

We are hit by tons of material every day, but it is all dust. 
We are all walking around with comet dust in our hair.
- Don Yeomans

Comet C/2020 F3 (NEOWISE) became one of the brightest comets visible in the northern hemisphere since Comet Hale–Bopp in 1997. On July 17, 2020, it was bright enough to be seen with the naked eye, even from moderately light-polluted locations.

This image was taken in Bethel, New York using the Canon EOS Ra with a 200mm f/2.8 lens. The photograph clearly shows the comet’s bright nucleus and its beautiful dual tail structure — the wider dust tail and the thinner, straighter ion tail extending upward across the frame.

Comet NEOWISE C/2020 F3 with dual tails photographed in Bethel NY using Canon EOS Ra
Comet C/2020 F3 (NEOWISE) Canon Ra Bethel, New York

Technical details:
Canon EOS Ra • EF 200mm f/2.8L II USM • f/2.8 • ISO 40,000 • 2.5-second exposure

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Thursday, July 9, 2020

Green Fireflies Night Landscape Bethel New York Canon Ra

Summer in New York brings one of nature’s most magical night displays — the glowing dance of fireflies. On this warm July night in Bethel, New York, the woods were alive with thousands of green light trails flickering under a crystal-clear, starry sky.

This image is a time-lapse composite created from multiple short exposures taken with the Canon EOS Ra astro-modded camera. The combination of fireflies and a quiet summer landscape creates a peaceful yet vibrant nighttime scene.

Green fireflies glowing under a starry summer sky in Bethel, New York — long-exposure composite captured with Canon EOS Ra astrophotography camera.
Green Fireflies Night Landscape Bethel New York Canon Ra

Camera & Exposure Settings

  • Camera: Canon EOS Ra
  • Lens: Canon EF 16-35mm f/2.8L II USM
  • Aperture: f/2.8
  • ISO: 12,800
  • Exposure: Composite of 30 images (3 seconds each)

The astrophotography-optimized sensor of the Canon Ra helps capture subtle green trails of the fireflies while preserving faint stars above. Stacking multiple short exposures reduces noise and reveals a fuller picture of their delicate light patterns as they move through the summer air.

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Tuesday, June 30, 2020

Canon Ra Reflection Night Landscape Bethel, Sullivan County, New York Astrophotography

I continue testing my new Canon EOS Ra astrophotography camera. There is nothing quite like a starry, quiet summer night — the Milky Way moving slowly across the sky while the landscape glows softly beneath it.

This photo was taken in Bethel, Sullivan County, New York, an area that became world-famous in 1969 when nearly 500,000 people gathered on Max Yasgur’s Farm for the legendary Woodstock Festival. Today, the region is peaceful, rural, and surprisingly good for astrophotography.

In the image you can see a small local pond reflecting the surrounding trees and several bright stars. Even though it was nighttime, the landscape appears illuminated enough to reveal the details of the trees and water — the only sign that it is truly night is the Milky Way arching above. This is a simple one-shot exposure, but it carries a calm atmosphere that reminds me of childhood fairy-tale stories.


Milky Way Reflection Landscape in Bethel, Sullivan County NY – Canon EOS Ra
Canon Ra Reflection Night Landscape Bethel,  Sullivan County, New York Astrophotography 

Technical details:
Canon EOS Ra • 25 sec • ISO 20000 • f/2.8
Lens: Canon EF 16–35mm f/2.8L II USM • Single exposure

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Monday, September 24, 2018

Adirondack Public Observatory

The Adirondack Public Observatory in Tupper Lake, New York is one of the best dark-sky locations in the Northeast United States. With low light pollution, high visibility, and excellent community outreach programs, this observatory is a top destination for both amateur astronomers and serious astrophotographers.

Located just outside the village of Tupper Lake in the heart of the Adirondack Mountains, the site offers exceptionally dark skies — rare on the East Coast. On clear nights the Milky Way is clearly visible to the naked eye, stretching directly above the domes.

Below are several images from my visit, including views under the Milky Way and daytime photos of the observatory grounds.


Three telescopes inside Adirondack Public Observatory under the Milky Way, Tupper Lake NY
Adirondack Public Observatory and Milky Way

Inside the observatory domes, multiple telescopes are available for public programs, star parties, and deep-sky viewing. On a truly clear night, the Adirondack sky becomes one of the darkest on the East Coast, revealing rich detail in the Milky Way directly above the observatory.

Adirondack Public Observatory building in daytime, Tupper Lake New York
Adirondack Public Observatory in the day time

During the day, the Adirondack Public Observatory sits quietly among the trees and mountains, ready for the next clear night. The site hosts public outreach events, educational programs, and observing sessions that introduce visitors to planets, star clusters, nebulae, and galaxies.

Adirondack Public Observatory at night with the Milky Way overhead in Tupper Lake New York
Adirondack Public Observatory -Tupper Lake - New York

At night, the observatory is surrounded by deep darkness and a brilliant star field. The Milky Way arches overhead, and on the best nights you can see faint nebulae and galaxies with the naked eye. For astrophotography, this location offers outstanding sky quality compared to most of the East Coast.

If you are traveling through the Adirondacks and love astronomy, the Adirondack Public Observatory is well worth a visit for both visual observing and night-sky photography.

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Tuesday, May 31, 2016

Long Island Astrophotography - Custer Astronomical Observatory

Custer Astronomical Observatory is the oldest public observatory on Long Island, founded in 1927 and still active today. It remains a community hub for astronomy education, public stargazing events, and member observing sessions. These night-sky photos were taken during my visit, using a Canon 60Da and EF 16–35mm f/2.8L II USM lens (ISO 6400, 20–30 seconds). The observatory grounds include a classic research dome, a large radio telescope — an inspiring place for both amateur and professional astronomers, as well as astrophotographers who enjoy night-sky observation and imaging.


Long Island Astrophotography at Custer Astronomical Observatory – dome and radio telescope under night sky
Long Island Astrophotography - Custer Astronomical Observatory - Dome and Radio Telescope

Custer Observatory radio telescope with bright Jupiter over Long Island night sky
Custer Observatory Radio Telescope and Jupiter - Long Island Astrophotography
Big Dipper rising above the Custer Observatory dome during Long Island nightscape photography
Custer Observatory Dome and Big Dipper - Long Island Astrophotography
Interior of the Susan Mini Observatory at Custer Observatory during night landscape photography
Susan Mini Observatory inside Custer Observatory - Night Landscape
Silent Sky over Custer Astronomical Observatory on Long Island during night astrophotography
Silent Sky - Custer Observatory Long Island

Custer Astronomical Observatory continues to operate as an active nonprofit organization with weekly public observing nights, lectures, and special astronomy events. The site includes a main dome, a large radio telescope, and several smaller member-owned observatories. Amateur astronomers store their telescopes on-site and regularly conduct observations, making Custer one of the most vibrant astronomy communities in the New York region.

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Sunday, April 10, 2016

Northeast Astronomy Forum NEAF 2016

Astronomy & Space Expo 2016 New York

Coronado Solar Telescopes -  NEAF 2016

Celestron Astro FI - NEAF 2016
Rotarion EP wheel - remote telescope imaging eyepiece  - NEAF 2016
Classic Telescopes - NEAF 2016
Celestron - Astronomy Binoculars - SkyMaster Pro - NEAF 2016

Starlight Cameras - NEAF 2016

Northeast Astronomy Forum 2016

TelescopeS.net  - NEAF 2016
TelescopeS_NET - NEAF 2016
Celestron 52305 Regal M2 80ED Spotting Scope - NEAF 2016
Coronado PST - NEAF 2016
AllView Sky-Watcher - NEAF 2016
Takahashi Telescope - NEAF 2016
Canon - NEAF 2016
Atik Cameras for astrophotography - NEAF 2016
The Affordable Observatory Dome - Explora Dome - NEAF 2016
Plane Wave Instruments - NEAF 2016
Lunt Engineering Telescope - NEAF 2016
Telescope - NEAF 2016

Explore Scientific Telescope NEAF 2016

Astronomy and Astrophotography Expo NEAF 2016
Glatter parallizer adapters NEAF 2016
SUNY Rockland Community College NEAF 2016

Meade Scope NEAF 2016

Meade Eyepieces NEAF 2016
Astronomy Patches NEAF 2016
Vixen Binoculars NEAF 2016
Solar Observation NEAF 2016