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| Zhumell 20x80mm SuperGiant Astronomy Binoculars and Celestron 4SE |
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| Zhumell 20x80mm and Celestron 4SE |
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| SuperGiant Astronomy Binoculars |
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| 20x80mm SuperGiant Astronomy Binocular |
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| ET Astrophotography - Astronomical Binocular and Super Moon |
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Astrophotography from Brooklyn, New York City. I capture the Moon, planets, Sun, Milky Way, and night sky from NYC and during travel. Passionate about astronomy, nightscape, and starscape photography. Using Celestron NexStar 4SE, Coronado SolarMax II 60, Canon EOS Ra, 60Da, 40D, NexImage, and Canon EF lenses to reveal the beauty of the universe.
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| Zhumell 20x80mm SuperGiant Astronomy Binoculars and Celestron 4SE |
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| Zhumell 20x80mm and Celestron 4SE |
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| SuperGiant Astronomy Binoculars |
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| 20x80mm SuperGiant Astronomy Binocular |
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| ET Astrophotography - Astronomical Binocular and Super Moon |
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| Brooklyn in the night lights, Canon EF 16-35mm f/2.8L II USM |
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| Brooklyn at night, Canon EF 16-35mm f/2.8L II USM |
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| Brooklyn Astronomy, Orion Constellation as seen in Brooklyn, NYC |
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| Brooklyn at Night, NYC night sky |
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| Brooklyn Moonrise |
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| NYC Astronomy - Brooklyn Bridge, Brooklyn Ice Cream Factory and Night Sky |
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| Brooklyn Sunset, Astronomy and Astrophotography, Canon EF 16-35mm f/2.8L II USM |
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| NYC Sunset (as seen in Brooklyn), Verrazano Bridge, Canon EF 16-35mm f/2.8L II USM, Astronomy and Astrophotography |
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| Sunset as seen in Brooklyn (NYC), Verrazano Bridge, Astronomy and Astrophotography, Canon EF 16-35mm f/2.8L II USM |
Solar eclipses are relatively rare events for New York City, and even more unusual when they occur at sunrise. On the morning of November 3, 2013, a partial solar eclipse was visible just as the Sun rose above the horizon, creating a unique blend of astronomy, atmosphere, and city life.
These photographs were taken near JFK Airport and the Cross Bay Bridge in Ramblersville, Queens. The low altitude of the Sun softened the light and allowed the eclipse to be observed naturally through atmospheric haze, without extreme contrast.
Sunrise eclipses are especially interesting because they combine celestial geometry with Earth’s atmosphere — clouds, haze, birds, and aircraft all become part of the scene. This event unfolded quietly over the city as the day began.
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| Solar Eclipse in New York City and Seagull, Astrophotography |
Camera & Settings:
Canon EOS 40D · 135mm · ƒ/8 · 1/250 sec · ISO 100
The phrase “I was born to fly to solar eclipses” came to mind while reviewing this image — a seagull crossing directly toward the partially eclipsed Sun. The moment felt symbolic, as if the bird were instinctively drawn toward the rare alignment unfolding in the morning sky.
Below is a video of the partial solar eclipse as seen from New York City. Despite the changing light, daily life continued uninterrupted — airplanes departed and landed, and seagulls remained active throughout the eclipse.
During the eclipse, seagull activity appeared noticeably higher than during a typical sunrise. Birds continued flying through the scene, occasionally crossing the eclipsed Sun, adding an unexpected dynamic element to the photographs.
While some studies suggest that certain animals may respond to changes in light or environmental conditions during eclipses, this observation remains anecdotal. Whether the increased activity was related to the eclipse itself or simply part of normal sunrise behavior is difficult to determine.
When this image was first shared online, one viewer jokingly suggested that the seagull had been intentionally “invited” into the frame — a reminder that even carefully planned astronomical photography can include moments of pure chance.
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| Solar Eclipse Seagull New York City |
At the beginning of the eclipse, striking wave clouds — often associated with Kelvin–Helmholtz instability — appeared in the sky. These cloud formations resemble ocean waves and are caused by wind shear between atmospheric layers. Their presence felt like a natural salute to the eclipse as it began over New York City, with the bridge visible beneath the clouds.
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| Beginning of the sunrise Solar eclipse in NYC on November 3 2013 |
Canon EOS 40D, ƒ/5.6, 56.0 mm, 1/60 sec, ISO 160
The images below show the very beginning of the sunrise during the eclipse, including wide-field views and the moments just before first contact. These frames capture how gradually the event unfolded as daylight increased.
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| Beginning NYC Solar Eclipse November 3 2013 - Wide Field |
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| Sunrise JFK Airport - couple minutes before Solar Eclipse 11/3/2013 |
Solar eclipses in New York City are infrequent, and sunrise events like this one are especially rare. This November 3, 2013 eclipse remains a memorable example of how astronomy can quietly intersect with everyday urban life.
If you’re interested in solar eclipse photography, you may also enjoy these related galleries, documenting eclipse events observed from New York City and across the United States over the years.
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| Solar eclipse New York November 3, 2013, Astrophotography |
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| Solar eclipse 10/3/2013 New York, Astrophotography |
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| Solar Eclipse Nov.3 2013 and Seagull, NYC Astrophotography |
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| New York Solar eclipse 10/3/2013 |
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Airplane, clouds and Solar eclipse, New York Solar Eclipse
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| Partial Solar Eclipse New York City Astrophotography |
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| Hybrid Solar Eclipse New York City 2013 |
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| Morning Seagull is flying to the Solar Eclipse, New York November 3 2013, Astrophotography |
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| NexImage 5, Coronado SolarMax II 60, Nexstar 4SE |
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| Coronado SolarMax II 60 NexImage 5 |
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| Telescope Coronado SolarMax II 60, Celestron NexStar 4SE Computerized Mount and NexImage5 |
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| Solar prominences - Coronado SolarMax II 60 Canon 40D |
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| Coronado Dovetail Mounting Plate for PST and SolarMax Item# MEAD414-1 and Coronado SolarMax II 60 |
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| Coronado SolarMax II 60 and Celestron 4SE Computerized Mount |
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| NGC7000 North America Nebula, Pelican Nebula, Elephant's Trunk nebula, Cygnus Milky Way, Deneb - Wide field astrophoto with a tripod, Astrophotography |
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| Notation - NGC7000 North America Nebula, Astrophotography |
This is a very minimalistic astrophotography image, captured under far-from-ideal weather conditions. Thin clouds drift across the sky, reflecting nearby light pollution rather than appearing dark. Despite this, the stars remain clearly visible in the gaps between the clouds.
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| Cloudy starry night sky, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap |
Images like this remind me that astrophotography does not depend solely on perfect conditions. Weather is always a dominant and uncontrollable factor — especially when traveling. You can plan locations, timing, and equipment, but ultimately you can only hope the sky cooperates.
What this photo represents to me is readiness. Sometimes the weather improves only briefly, for a few minutes or even seconds. When that happens, you must already be prepared — camera set, composition chosen, settings dialed in. There is no time to hesitate.
This photograph captures that short window of opportunity. Clouds, light pollution, and stars coexist in a fragile balance. Perhaps that is why this simple image feels meaningful to me. Others may see something different — and that is part of its quiet appeal.
Astrophotography is not only about the sky you want — but about the sky you are given.
These images focus on simplicity, mood, and atmosphere — moments where clouds, light pollution, motion, or minimal foregrounds become part of the story rather than limitations.
Canon 60Da Milky Way Astrophotography — Catskill Mountains
Milky Way over Yellowstone — Old Faithful
A Tree and the Milky Way
Grand Teton Milky Way Astrophotography
Not every night sky is perfect — but each one tells a story worth capturing.
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| Milky Way Autumn Fall, Night Landscape, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap |
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| Milky Way Night Landscape, Cassiopeia constellation, Starry Stars, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap, Astrophotography |
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| Autumn Fall Milky Way Panorama, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8, combine 3 photos - KOA Delaware Water Gap, Astrophotography |
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| Autumn Milky Way, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec - KOA Delaware Water Gap, Astrophotography |