Coronado SolarMax II 60,
NexImage 5 ccd,
Nexstar 4SE mount,
Two Barlows 2x each (Total x4),
Registax, Photoshop
Two Colors
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| NexImage 5, Coronado SolarMax II 60, Nexstar 4SE |
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Astrophotography from Brooklyn, New York City. I capture the Moon, planets, Sun, Milky Way, and night sky from NYC and during travel. Passionate about astronomy, nightscape, and starscape photography. Using Celestron NexStar 4SE, Coronado SolarMax II 60, Canon EOS Ra, 60Da, 40D, NexImage, and Canon EF lenses to reveal the beauty of the universe.
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| NexImage 5, Coronado SolarMax II 60, Nexstar 4SE |
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| Coronado SolarMax II 60 NexImage 5 |
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| Telescope Coronado SolarMax II 60, Celestron NexStar 4SE Computerized Mount and NexImage5 |
Solar prominences captured with the Coronado SolarMax II 60 using a Canon 40D DSLR on a Celestron NexStar 4SE computerized mount.
Equipment:
Coronado SolarMax II 60 (H-alpha solar telescope)
Celestron NexStar 4SE mount
Canon EOS 40D
2× Barlow lens
Date: October 20, 2013
Exposure details:
ISO 200 · 1/6 second
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| Solar prominences - Coronado SolarMax II 60 Canon 40D |
This image shows solar prominences only. The inner disk of the Sun is intentionally blocked (black area) so the exposure can be optimized for the faint outer prominences extending beyond the solar limb.
Compared to my earlier images taken with a NexImage planetary camera, this session used a DSLR mainly to compare imaging approaches rather than image quality itself. CCD planetary cameras and DSLR cameras each have their own advantages and limitations.
Planetary CCD cameras allow very fast frame rates and are less sensitive to mount stability, but require more time-consuming video stacking and post-processing. DSLR cameras capture single high-resolution frames, which makes post-processing much simpler, but they require a more stable mount and precise tracking.
When both imaging methods are used correctly, the final image quality depends primarily on the optical performance of the Coronado SolarMax II 60, not on the camera itself.
To simplify the setup, I switched from a piggy-back configuration to a direct mounting solution by using the Coronado Dovetail Mounting Plate for PST and SolarMax (Item #MEAD414-1).
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| Coronado Dovetail Mounting Plate for PST and SolarMax Item# MEAD414-1 and Coronado SolarMax II 60 |
With this mounting plate, the Coronado SolarMax II 60 can be attached directly to the GoTo mount, greatly simplifying alignment and tracking.
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| Coronado SolarMax II 60 and Celestron 4SE Computerized Mount |
This configuration made it possible to use even a heavier camera like the Canon 40D while maintaining accurate solar tracking.
In later posts, I show additional solar images captured with this setup and further refinements to the mounting and imaging process.
Coronado SolarMax II 60 during the 2017 Total Solar Eclipse:
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| NGC7000 North America Nebula, Pelican Nebula, Elephant's Trunk nebula, Cygnus Milky Way, Deneb - Wide field astrophoto with a tripod, Astrophotography |
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| Notation - NGC7000 North America Nebula, Astrophotography |
This is a very minimalistic astrophotography image, captured under far-from-ideal weather conditions. Thin clouds drift across the sky, reflecting nearby light pollution rather than appearing dark. Despite this, the stars remain clearly visible in the gaps between the clouds.
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| Cloudy starry night sky, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap |
Images like this remind me that astrophotography does not depend solely on perfect conditions. Weather is always a dominant and uncontrollable factor — especially when traveling. You can plan locations, timing, and equipment, but ultimately you can only hope the sky cooperates.
What this photo represents to me is readiness. Sometimes the weather improves only briefly, for a few minutes or even seconds. When that happens, you must already be prepared — camera set, composition chosen, settings dialed in. There is no time to hesitate.
This photograph captures that short window of opportunity. Clouds, light pollution, and stars coexist in a fragile balance. Perhaps that is why this simple image feels meaningful to me. Others may see something different — and that is part of its quiet appeal.
Astrophotography is not only about the sky you want — but about the sky you are given.
These images focus on simplicity, mood, and atmosphere — moments where clouds, light pollution, motion, or minimal foregrounds become part of the story rather than limitations.
Canon 60Da Milky Way Astrophotography — Catskill Mountains
Milky Way over Yellowstone — Old Faithful
A Tree and the Milky Way
Grand Teton Milky Way Astrophotography
Not every night sky is perfect — but each one tells a story worth capturing.
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| Milky Way Autumn Fall, Night Landscape, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap |
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| Milky Way Night Landscape, Cassiopeia constellation, Starry Stars, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8 - KOA Delaware Water Gap, Astrophotography |
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| Autumn Fall Milky Way Panorama, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec, @2.8, combine 3 photos - KOA Delaware Water Gap, Astrophotography |
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| Autumn Milky Way, Canon 16-35mm f 2.8 L II USM Ultra Wide Angle Lens, Canon 40D, ISO 1600, 30 sec - KOA Delaware Water Gap, Astrophotography |