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Thursday, August 22, 2013

Night Landscape, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U

This post is a curated collection of night landscape photographs captured over many years and across multiple countries, all using the Canon EOS 40D and the legendary Canon EF 16–35mm f/2.8L II USM ultra-wide angle lens.

Ultra-wide lenses are especially powerful for night photography. They allow long exposures without star trailing, emphasize foreground structures, and capture dramatic cityscapes, bridges, coastlines, and night skies in a single frame.

These images were taken in a wide variety of environments — from urban Brooklyn and Manhattan to Iceland, Israel, the Galápagos, Puerto Rico, Yellowstone, Utah, and Grand Teton National Park. Together they show how the same camera and lens can produce striking results under very different night-sky and lighting conditions.

Rather than separating these photos by location, this post intentionally brings them together as a single night landscape photography portfolio, illustrating the versatility of ultra-wide lenses for nocturnal scenes.


Brooklyn night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Night Landscape, Brooklyn, Canon 40D

Manhattan night skyline  – Canon 40D, Canon EF 16–35mm f/2.8L II
Manhattan night landscape, Brooklyn Bridge, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U
Verrazzano Bridge night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Verrazano Bridge, Night landscape, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U
Dyker Heights Christmas lights at night – Canon 40D, Canon EF 16–35mm f/2.8L II
Night landscape, Dyker Heights Brooklyn Christmas Lights, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U
Snowy night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Snow night landscape, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U


San Francisco Oakland Bay Bridge at night – Canon 40D, Canon EF 16–35mm f/2.8L II
San Francisco Oakland Bay Bridge at night: Canon 40D, Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Lens
Akureyri Iceland night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Akureyri IceLand - Night Landscape - Canon 40D, Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Lens
Jerusalem night sky and windmill – Canon 40D, Canon EF 16–35mm f/2.8L II
Jerusalem Night Sky and WindMill, Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Lens, Night Landscape
Tel Aviv night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Tel Aviv Night Landscape Canon EF 16-35mm f2.8L II USM Ultra Wide Angle Lens

Mystic Seaport Connecticut night landscape – Canon 40D, Canon EF 16–35mm f/2.8L II
Mystic Seaport Connecticut Night Landscape, Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Lens, Canon 40D

Niagara Falls night landscape from Canada – Canon 60Da wide-field astrophotography
Niagara Falls Night landscape view from Canada Canon 60Da Wide filed

Yellowstone National Park night sky –  Canon 60Da, Wide Angle Lens EF16-35mm f/2.8L II USM
Night Sky Yellowstone

Salt Lake City night landscape – urban night photography
Salt Lake City at Night

Milky Way over Grand Teton night landscape – wide-field astrophotography
Milky Way Galaxy Replaces Street-Lamp in Grand Teton Night Sky Astrophotography

San Juan Puerto Rico night sky with Big Dipper – night landscape photography
San Juan Puerto Rico and Big Dipper - Night Sky

Night reflection landscape in Virginia – long exposure night photography
Night Reflection Landscape - Virginia

Red-lit trail to stargazing spot in Utah – trees and starry sky, wide-angle night photography
Night Path Utah Landscape Photography

Aruba hotel night view – tropical night landscape photography
Aruba Hotel Night View

Longwood Gardens illuminated fountain at night – Pennsylvania night photography
Longwood Gardens Illuminated Fountain Performance - Pennsylvania

Galapagos Islands night landscape – Canon EF 16–35mm f/2.8L II
Galapagos Islands at night Canon EF 16-35mm f2.8L II USM Ultra Wide Angle Lens

All photographs in this collection were captured using long exposures and available light, without artificial sky replacement. They represent real night environments — from light-polluted cities to remote dark-sky locations — and document how night photography evolves across geography, weather, and time.

Related Astrophotography & Night Landscape Posts

Tuesday, August 20, 2013

Coronado SolarMax II 60 NexImage Registax Panoramic

Creating a full-disk solar panorama is not always straightforward when using a dedicated solar telescope and a CCD camera. With the Coronado SolarMax II 60 and NexImage CCD, the apparent solar disk can be too large to fit into a single frame at native resolution.

Instead of reducing magnification or sacrificing detail, I decided to apply a classical astrophotography solution: build a panoramic mosaic of the Sun.

The idea is simple in principle but requires careful planning in practice:

  • Record multiple overlapping solar segments (in this case – three videos).
  • Keep identical exposure, gain, and duration settings for each capture.
  • Process all videos using the same stacking parameters in RegiStax.
  • Export uniformly sharpened frames.
  • Merge them using Photoshop → File → Automate → Photomerge.

Consistency is critical. If video duration, histogram levels, or wavelet sharpening differ between segments, the final mosaic will show visible seams. Proper overlap between frames is also essential to allow accurate alignment of solar features such as filaments and prominences.

This workflow is very similar to techniques used in:

  • Nightscape panoramas (for example, multi-frame Milky Way images)
  • Large-field “Rainbow Milky Way” mosaics
  • Deep-sky mosaics when a single frame cannot capture the entire object

Solar mosaics require the same discipline — but with an additional challenge: the Sun evolves quickly. Prominences and surface detail can subtly change during capture, so recording segments efficiently is important.

The final result below demonstrates how three stacked segments were combined into a seamless panoramic solar image.


Solar panoramic mosaic created from three stacked videos using Coronado SolarMax II 60 and NexImage CCD
Coronado SolarMax II 60 NexImage, Registax, Final Panoramic 3 images, Astrophotography


This example shows that even with a compact solar setup, it is possible to produce high-resolution full-disk results by applying classical astrophotography mosaic techniques.


Related Astrophotography Posts

Friday, August 16, 2013

Milky Way Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II

August 12, 4 images 30 seconds each, Tripod, Canon 40D with Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U, DeepSkyStacker, PhotoShop
Milky Way, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II, Canon 40D, Astrophotography 

Monday, August 12, 2013

Observation Perseid Shooting Stars - August 12, 2013

Perseid meteor shower (continue). Some pictures from August 12, 2013
Perseid Shooting Star, Canon 40D, Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U, 30sec, ISO 1600, , Astrophotography
Milky Way, , Astrophotography
Andromeda Galaxy, Milky Way, meteor or satellite? - , Astrophotography
Sky between trees, Astrophotography

Sunday, August 11, 2013

Perseid meteor shower: This bright meteor August 11 2013

I would rather be ashes than dust! I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
- Jack London

These images capture a bright Perseid meteor photographed on August 11, 2013, one night before the peak of the annual Perseid meteor shower. Perseids are known for their fast velocities and bluish-white color, caused by their high entry speed and ionization of atmospheric gases.

This meteor streaked across the constellation Cygnus, leaving a sharp, luminous trail characteristic of Perseid meteors originating from comet 109P/Swift–Tuttle. The photograph was taken from New York under summer night skies using a long exposure to maximize the chance of capturing a meteor.

Camera: Canon EOS 40D
Lens: Canon EF 16–35mm f/2.8L II USM
Exposure: 2 minutes
ISO: 1600
Mount: Tripod
Date: August 11, 2013

Bright Perseid meteor streaking across the Cygnus constellation one night before peak, August 11 2013
Perseid meteor shower: This bright meteor across the Cygnus constellation
August 11 2013 - one night before maximum. Canon 40D Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U, 2min, ISO 1600, Tripode, NY Astrophotography

The second image below is a cropped and zoomed-in view of the same meteor, revealing its sharp core and subtle color variations. The bluish-white hue is a classic Perseid signature, produced by the meteor’s extreme atmospheric entry speed of roughly 55–65 km/s as it vaporizes in Earth’s atmosphere.

In the zoomed image, the meteor trail clearly shows a classic Perseid structure: it begins as a thin, faint streak, rapidly swells into a thicker and brighter central section, and then tapers off again as the meteoroid fragments and fully ablates in the upper atmosphere. This changing width and brightness reflect variations in velocity, mass loss, and ionization along the meteor’s path.

Because this image was captured as a 2-minute long exposure, the stars do not appear as points but as short arcs, reflecting Earth’s rotation. Despite this, the Cassiopeia constellation is still identifiable in the lower-left corner of the first (wide-field) image, although it falls outside the frame in the zoomed view.

Using Cassiopeia as a reference and comparing the field orientation with a Stellarium sky map, the meteor’s trajectory can be traced back toward the Perseids radiant, which lies just outside the image frame. This confirms the meteor’s direction of motion from lower-left toward upper-right, consistent with a Perseid origin.

Notably, the meteor’s structure also supports this identification: the section closer to the radiant (the beginning of the trail) appears longer and fainter, while the terminal portion farther from the radiant is shorter, brighter, and sharper. This asymmetry reflects the rapid increase in ablation and brightness as the meteoroid penetrates deeper into the atmosphere.

The longer, fainter beginning of the meteor trail can be explained by a combination of perspective effects and atmospheric physics. Near the Perseids radiant, the meteor’s motion is largely along the line of sight, producing a foreshortened, slow-appearing streak. At these very high altitudes, the atmosphere is extremely thin, resulting in faint emission that can extend over a comparatively long visible path.

As the meteoroid penetrates deeper into the denser mesosphere, ablation increases rapidly, producing the bright, thick central section of the trail. Once the particle is fully consumed, the light drops off abruptly, creating a short, sharp terminal end rather than a gradual fade.

Zoomed-in crop of bluish-white Perseid meteor showing sharp luminous trail, August 11 2013
Perseid meteor shower: This bright meteor August 11 2013, Canon 40D Ultra Wide Angle Canon Lens EF 16 35mm f2.8L II U, Astrophotography

Together, the meteor’s color, direction, brightness profile, and changing trail structure all point to a classic Perseid meteor captured under summer skies just before peak activity. Even in a single long exposure, careful analysis reveals both the geometry of the radiant and the physical processes governing meteoroid ablation high above Earth.

Related Astrophotography Posts

Monday, June 17, 2013

Coronado SolarMax II 60 Telescope Sun Photo

Why didn't the sun go to college?
(Because it already had a thousand degrees!)

This was my first serious attempt at solar astrophotography using the Coronado SolarMax II 60 hydrogen-alpha solar telescope. Unlike regular telescopes that require external solar filters, this specialized instrument is designed specifically for safe observation of the Sun and reveals incredible surface details invisible in white-light viewing.

Solar observation was actually how I first started learning astronomy. My parents bought me a small telescope when I was in middle school, and I used it almost every day to record solar activity and Wolf numbers. Later, I compared my observations with data from other observers using different telescopes. Observing the Sun is much easier in a big city with light pollution because it can be done safely during daytime.

Many years later, I decided to invest in a dedicated solar telescope — the Coronado SolarMax II 60. It already includes an H-alpha filter system, allowing me to safely show solar activity to my kids without attaching external filters like those required for regular scopes such as the Celestron NexStar 4SE.

These images were captured with a NexImage planetary camera using approximately one minute of video (~600 frames). Stacking and sharpening were performed in RegiStax, followed by final color adjustments and Smart Sharpen in Photoshop (June 15, 2013).

Sun prominences through Coronado SolarMax II 60 telescope NexImage camera
Coronado SolarMax II 60 Sun Photo NexImage




H alpha Sun surface detail Coronado SolarMax II 60 active regions
Coronado SolarMax Photo



Solar filaments and plages Coronado SolarMax II 60 H alpha
Solar filaments and plages Coronado H-alpha image


Sunspots H alpha Coronado SolarMax II 60 telescope
Coronado SolarMax II 60 sunspots in H-alpha filter

In these photographs you can clearly see solar prominences, filaments, plages, and active regions near sunspots — all visible thanks to the hydrogen-alpha wavelength that highlights the Sun’s chromosphere.

Solar astrophotography is both educational and safe when using proper equipment. It allows observation of real-time solar dynamics, something that constantly changes from hour to hour.

Related Posts – Coronado SolarMax II 60

Coronado SolarMax II 60 Telescope

This post shows my first view of the Coronado SolarMax II 60 — a dedicated hydrogen-alpha solar telescope designed exclusively for safe daytime observation of the Sun. Here I focus only on the telescope itself, mounting options, and initial setup. Actual solar images and results are shown in separate posts.

Unlike regular telescopes that require external solar filters, the Coronado SolarMax II 60 includes a built-in H-alpha filter system. This allows direct observation of the Sun’s chromosphere, revealing prominences, filaments, and active regions when paired with a stable mount and camera.

For solar observation, a good mount is critical. The Sun moves quickly across the sky, and accurate tracking makes observation and imaging much easier. For my initial setup, I used a simple piggy-back configuration on a Celestron NexStar 4SE mount. This allowed me to take advantage of the GoTo system for easy solar tracking.

Coronado SolarMax II 60 H-alpha solar telescope first view
Coronado SolarMax II 60


Coronado SolarMax II 60 solar telescope tube assembly
Coronado SolarMax II 60

Below is the piggy-back configuration using a Celestron NexStar 4SE. This simple setup allowed me to quickly align and track the Sun using the GoTo mount. Later, this configuration was further modified and improved — those changes are described in follow-up posts.

Piggy-back Coronado SolarMax II 60 mounted on Celestron NexStar 4SE
Celestron 4SE and piggyback Coronado Solarmax 60

Front view of Coronado SolarMax II 60 solar telescope mounted piggy-back
Coronado Solarmax 60 piggy-back

Front aperture detail of Coronado SolarMax II 60 H-alpha telescope
Celestron 4SE, Solarmax 60
Side view of Coronado SolarMax II 60 solar telescope on piggy-back mount
Piggy-back Coronado 60 Celestron 4SE
Rear view of Coronado SolarMax II 60 telescope focuser and mounting hardware
Piggy-Back Mount for Celestron NexStar 4 (Item# BRKTPIG4)

This first setup proved that even a simple piggy-back mount can work well for solar observation. In later posts, I show the actual solar images captured with this setup, as well as further mount refinements.

Related Posts – Coronado SolarMax II 60

Saturday, March 2, 2013

Northern Lights Aurora Borealis

These images capture the Northern Lights (Aurora Borealis) over northern Iceland during an unforgettable night near Akureyri. Photographed on February 21, 2013, this display of dancing green aurora was the result of careful planning, rapid travel decisions, and a bit of luck under Iceland’s unpredictable winter skies.

These photographs were taken during a six-day trip to Iceland in February 2013. We stayed in Reykjavík and initially booked several northern lights tours, hoping for clear skies. Unfortunately, for the first four days the weather did not cooperate — persistent clouds and rain made aurora viewing impossible.

On the fifth day, weather forecasts showed a brief clearing on the opposite side of the island. With little time to think, we made a dramatic change to our travel plans and flew north to Akureyri, reserving a last-minute northern lights tour. The decision paid off: that night the skies cleared and the aurora appeared in bright arcs and curtains above the snow-covered landscape. Every image in this post was captured during that single night.

Camera: Canon EOS 40D
Lens: Canon EF 16–35mm f/2.8L II USM (ultra-wide)
Exposure: 15 seconds
Aperture: f/2.8
ISO: 1600
Support: Tripod, Canon remote release
Location: Akureyri, Iceland
Date: February 21, 2013

The ultra-wide Canon EF 16–35mm f/2.8L II USM lens was purchased specifically for aurora photography. Its wide field of view and fast aperture are ideal for capturing large auroral structures together with the foreground landscape — especially when the lights are changing quickly.


Northern Lights (Aurora Borealis) over Akureyri, Iceland - Canon 40D, EF 16-35mm f/2.8L II
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM, Astrophotography
Aurora Borealis visible between white clouds near Akureyri, Iceland - Northern Lights night photography
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM, Astrophotography

Aurora Borealis bands over Akureyri, Iceland - Canon 40D night sky photo
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM, Astrophotography

Northern Lights in Iceland near Akureyri - green aurora glow
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM, Astrophotography

Northern Lights over Akureyri, Iceland - aurora tour night photo
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM, Astrophotography

Aurora Borealis curtains in Iceland near Akureyri - wide-angle night sky
Astrophotography - The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Aurora Borealis appearing as a soft zigzag pattern near Akureyri, Iceland
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Aurora Borealis in Akureyri, Iceland - bright green lights
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Road leading toward the Northern Lights near Akureyri, Iceland - Aurora Borealis astrophotography
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Iceland road pointing toward Aurora Borealis near Akureyri - Northern Lights night photography
Astrophotography The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Northern Lights over Akureyri with road leading into the aurora - Iceland astrophotography
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM

Northern Lights in Iceland - Akureyri aurora display (Feb 2013)
The Northern Lights  (the Aurora Borealis), Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM
Northern Lights above an Icelandic fjord near Akureyri - Aurora Borealis astrophotography
Northern Lights - Akureyri Iceland - Canon 40D, Wide Angle EF 16-35mm f/2.8L II USM


This night became an important lesson for us. When it seemed that the weather had defeated our plans and the Northern Lights were out of reach, we discovered that a solution still existed. By flying to another part of the island, we learned that Iceland’s skies are never the same everywhere at once. The aurora rewarded our persistence, reminding us that nature favors patience, curiosity, and the willingness to change course.

Related Astrophotography Posts

Thursday, August 23, 2012

Star Trail Astrophotography Canon 40D and Canon 60Da

Eppur si muove (And yet it moves).
Galileo Galilei

Star trails - Astrophotography. The north celestial pole is at the center of all the star trails. Polaris is the bright star near the pole. New York state Catskill mountains.

6 images - 10 min each, Fixed Tripod , ISO 1600 F3.5, Canon 40D, Lens EF28-135mm f/3.5-5.6 IS USM. All of these short exposures together in StarStax. 

Star Trails Canon 40D. 6 images 10 min each, Stack in StarStax. Photohop: Levels, Curve, Shadow Filter Color, Un-sharp mask, Despeckle
Color Star Trails, Canon 40D, Total Time about 1 hour, Stack in StarStax
Canon 60Da, Canon Lens EF 16 35mm f2.8L II U, Fixed Tripod, Dew Heater, 39 images - Exposure time 2 min , ISO 400, Aperture F4.0. Post-processing: StarStax and Photoshop.

Star Trail Astrophotography Canon 60Da - Catskills

Wednesday, August 1, 2012

Celestron Stereo Binocular Viewer # 93691

I recently received the Celestron Stereo Binocular Viewer #93691, and these photos show it mounted on my Celestron 4SE telescope.

Using a binoviewer noticeably changes the visual observing experience. Viewing with both eyes feels more natural and relaxed, and the image appears more immersive — almost like a subtle 3-D or IMAX-style view, especially when observing the Moon and bright planets.

One of the biggest advantages is how comfortable it makes observing. Eye strain is reduced, it is easier to stay focused, and sharing the telescope becomes more enjoyable. This is especially helpful for kids and beginners, who often find it easier to look through a binoviewer than a traditional single eyepiece.

Overall, the Celestron Stereo Binocular Viewer 93691 is a fun and practical upgrade for visual observing. It adds comfort, improves the viewing experience, and makes outreach sessions more engaging.

Celestron 4SE telescope with Celestron Stereo Binocular Viewer 93691 installed
Celestron 4SE and Binoviewer
Celestron Stereo Binocular Viewer 93691 mounted on Celestron 4SE telescope
Celestron Stereo Binocular Viewer  93691 and 4SE
 Celestron 4SE telescope configured with Celestron Stereo Binocular Viewer 93691
Celestron 4SE and Celestron Stereo Binocular Viewer  93691

Conclusion:
After spending time with this setup, the binoviewer has become one of my favorite visual accessories. It may not replace traditional eyepieces for every situation, but for relaxed observing and sharing the sky with family and friends, it adds a sense of depth and enjoyment that makes the telescope feel new again.

Related Astrophotography & Gear Posts